The Desert Ark

Scarpedicemente is a claustrophobic, dark comedy based on the play written by the two leads, husband and wife team John Vamvas and Olga Montes. Luigi (John Vamvas) is a delusional gangster madly in love with his ditzy gangster moll wife Holly (Olga Montes). The larger-than-life couple are celebrating their one-year wedding anniversary at a low rent Las Vegas motel. While deeply in love, Luigi and Holly share an inability to live in the present. Luigi a walking film projector, playing out the favorite gangster movies of his mind. While Holly's exuberant exterior hides a troubled past bubbling to the surface of their relationship. Sparks fly in this tale of two troubled souls mired in their hefty emotional baggage. —Donato Totaro

The path of a street fighter and a dancer on skates, who are in love, is paved by friendship, grit and hope.

A stubborn director who wants to rediscover the Algiers of his childhood comes up against the “Hollywood” fantasies of his characters, non-professionals all hoping to be able to become “someone else”, at least for the duration of a film… Mise en abyme for a journey into megalomania…

In a single static shot a man is threatened with death at another's gunpoint.

At the end of an extraordinary situation in the village, when the people of the village cannot reach the government, they try to break a curse by organizing various rituals under the leadership of the Mukhtar and Kadir. After a while, the government official who comes to the village will confront the villagers with another reality in an authoritarian manner.

Tahar is a 20-year-old Sahrawi man who lives in the Basque Country. However, his family continues to live in the Tindouf refugee camp. One day, he receives a call from there: his father is dying.

Charlie suffers from a serious disease that causes acute narcolepsy whenever he is happy. Although he develops a variety of techniques to deny himself pleasure and deal with his sleep issues, they’re put to the test when he falls in love.

A musical tale about two impoverished sisters' anguish over whether or not to sell the final masterpiece of their recluse father days before the second world war, in Manila.

Hell Train is a French film based on a true story. One evening at a ball in a small town, a fight breaks out in an atmosphere tinged with racism. Three of the ringleaders end up at the police station. The next day, November 14, 1983, on the Bordeaux-Ventimiglia train, the three men who were candidates for enlistment in the Foreign Legion beat Habib Grimzi, a 26-year-old Algerian, before throwing him out of a window. A young woman, who witnessed the murder, alerted the police. The investigation begins in a climate of extreme tension. In the city, provocations and attacks are increasing...

Nino and Caterina have been married for 65 years. After Caterina's death, their daughter Elisabetta, trying to help her father to overcome the loss, hires an author to write a book on their love story.

An oasis lost in the Saharan desert more than 700km from Algiers. A society still functioning on centuries-old rituals. The only connection to the city is a bus that passes once a day. Moussa, disabled from birth, lives there with his sister Zineb; They try, together, to reconstitute a family unit that the war has destroyed. The family is the dream of the idyllic times of childhood, of times when parents took all the responsibilities. Moussa is perfectly independent, although he has no arms, he nevertheless loves being cared for by his sister. Zineb, for her part, does not dare to face the new world that a marriage would constitute. Life passes punctuated by the same gestures. Zineb takes the bus to go to work at the date packaging factory. Moussa goes to see the schoolmaster, draws or dreams of Mériem, the woman he loves. A rose secretly grows in the sand, which Moussa waters every day.

When their father dies, three nomadic sons choose different voices. The first part for the city, the second tries to live as its ancestors develop and the third integrates one of the new agricultural cooperations. "A pastoral society (1,500,000 inhabitants) on the threshold of decisive choices, destructured by the evolution of economic relations which lead to the concentration of herds in the hands of a few, to the support of rangelands and to the movement of impoverishment and proletarianization of the greatest number. The attitudes of the protagonists occur in relation to the economic and political involved in the process of agrarian revolution. The alternative lies only in the free adherence of small breeders to the forms of economic and social reorganization of the Agrarian Revolution and their insertion in the profound movements of social and political change that affect Algerian society." Sid Ali Mazif