Children of the Arctic

A documentary on seniors at a high school in a small Indiana town and their various cliques.

The Tlingit and Haida people of Alaska were confused by the idea of America “buying” the land they lived on from the Russians. They would be among the first native people to make a successful claim on their homeland and rights.

The "Alaska at War" film project was an effort to document events of World War II in Alaska. It was funded by the Alaska Legislature through the Alaska Historical Commission and was supported by the Alaska Historical Society and private subscription. The production work was performed by aurora Films, assisted by a citizen's advisory committee. The production "Alaska at War" was first shown in public on Alaska Day, October 18th 1986.

Alaska... Here, in this vast and spectacularly beautiful land teeming with abundant wildlife, discover the "Spirit of the Wild." Experience it in the explosive calving of glaciers, the celestial fires of the Aurora Borealis. Witness it in the thundering stampede of caribou, the beauty of the polar bear and the stealthful, deadly hunt of the wolf pack.

Through Inuit voices, HERD: Inuit Voices on Caribou tells the story of the social, emotional, and cultural disruptions from ecological change by putting an essential human face to the caribou declines - including a 99% decline of the once-massive George River Caribou Herd. The film was developed over four years of collaboration between filmmakers and 11 Inuit communities across Labrador. It cinematically explores an array of lived experiences, from youth to Elders and hunters to cooks, to ensure that the stories of those living on the frontlines of this ecological crisis are HERD. It is a portrait of the deep connections that exist between humans and non-humans, a glimpse of heartbreaking loss felt by entire communities, and a lasting testament of cultural resilience in the context of ecological uncertainty.

In an unfair country women work day and night far from home while their children learn to survive between loneliness and emptiness. They grow to become teenagers, locked down in one of many low income neighborhoods made up of identical small houses, outlined by overcrowding and scarcity. Their mothers, mostly workers in transnational factories, go in and out in buses that take them to a work place where they carry out twelve hour shifts two hours away from home, while their children muddle through their upbringing in tiny houses of 40 square meters. In spite of everything, they look for a way to move ahead and chase their illusions. This is a story full of youthful aspirations set in a context of difficulties and shortages.

Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.

Alaska may be best known as the land of moose, bears and intense winters, but few know about the hidden jewel that is the Alaska Baseball League. For the first time on film, Touching The Game Alaska takes a captivating inside look at this fascinating institution and its incredible history as a proving-ground for more than 500 Major Leaguers and Hall of Famers like Tom Seaver and Dave Winfield, many of whom appear in the film. This feature length documentary is highlighted by superb baseball, stunning imagery and humorous anecdotes, from planes crashing on fields during games to bear encounters to salmon fishing misadventures to the more than century old tradition of the Midnight Sun Game. Four years in the making, the film not only showcases baseball played in a place where the summer sun never sets, but also gives insight into the colorful, rugged and fiercely independent people of this frontier land.

Come fly with us in OVER ALASKA as we take off on a breathtaking tour of our 49th state. Soar over Mt. McKinley and through the craggy crevasses of electric blue glaciers. Follow the Iditarod and kayakers as they navigate past icebergs. Then touch down to Earth and get as close to bears, whales and wildlife as humanly possible.

Filmmakers revisit Inukjuak, the Inuit village where Robert J. Flaherty filmed Nanook of the North in the early twentieth century, and examine the realities behind the ground-breaking documentary.

This film shows the splendor, enormous scope and indescribable beauty of this untouched land far to the north of Alaska, one of the last havens for caribou herds and polar bears. Shot over a period of four years, this film offers a unique insight in the lives of the most charismatic arctic animals.

"The Great Polar Bear Feast" is the astonishing story of an annual natural phenomenon that occurs in early September on the north slope of the Arctic. Every year, up to 80 polar bears gather on the frozen shores of Barter Island, near the village of Kaktovik, to feast on the hunter-harvested bowhead whale remains.