Let's Have a Party

A blind date ends in disaster.

It's a classic boy-meets-girl story, boy-loses-girl, boy gets mistaken for an escaped convict and ruthlessly chased by armies of cops across the countryside in a thrill-packed stunt-addled climax.

A superstitious guy, Bien, seeks all sorts of “divine” signs that will determine his decision of asking the girl of his dreams out on a date. The fear of rejection swallows him whole, making him justify his cause to seek for more unfathomable signs. But when each sign he asks for materializes, he soon learns that he has to be careful with what he wishes.

A library assistant plods through an ordinary life in LA until a chance meeting opens his eyes to the power of creativity and ultimately, love. When this new life and love begin to fall apart, he discovers he has a lot to give. This short film proves that ordinary is no place to be.

A high-speed drive through the streets of Paris.

A young woman tries to go to Paris, but her garden and the whole village is flooded with water.

Buster and Phyllis endure a number of outdoor adventures trying to prove to each other their survival skills. The balloon, which lands Buster in the wilderness, later proves useful as their canoe is about go over a waterfall.

Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit of diversion from their collaborations since it’s a series of interwoven videos inspired by the Gainsbourgalbum. For '71 it’s a novel concept to bring visual life to an LP, but even more surprising are the short film’s amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourg’s songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parker’s buzzing guitar accompanies and wiggles around Gainsbourg’s resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.