Elektra

Guy meets his ex-girlfriend in a bar in his attempt to get her back.

Two noble women, bored of their lives, disguise themselves as country wenches and go to the market at Richmond Fair, where two young farmers fall in love with them.

Fahri is haunted by the spirit of his ex-lover, Amira, who is still demanding responsibility. In the waltz, Amira reminds Fahri of the mistakes he made in the past.

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.

Late one Christmas Eve on a routine mission for Santa, holiday adventurers Peter Bell and Hark the Herald Angel find their cheer-charged, jingle-bringin', major-chord-musical talents are sorely needed to remind a young girl what the season is all about!

Camilla is a karmic astrologer. She believes in past lives and reincarnation, but her karma keeps her away from Jean... until a revelation changes the course of events.

German silent film operetta (Filmoperette)

Sutton Foster takes over City Center—filling it with her indomitable spirit for a concert with her friends that celebrates their connections to the historic theater and reflects on the challenges facing all of us. Bring Me to Light reunites Foster with fellow Encores! cast members Raúl Esparza and Joaquina Kalukango, City Center alum Kelli O’Hara, and Wren Rivera—Foster’s student at Ball University. Together, they enliven City Center with the hope of what lies ahead through performances of music theater favorites from Anyone Can Whistle, Camelot, Oklahoma!, South Pacific, Violet, The Wild Party, and more. Accompanied by Music Director Michael Rafter (piano) and Matt Hinkley (guitar), Bring Me to Light is directed by Leigh Silverman, with Jeanine Tesori serving as Creative Producer.

A Chinese fantasy singsong film.

While a roaring ball stirs up spirits inside, a boy and a girl meet on the sidelines – and fall in love at first sight. But because they belong to warring families, Romeo and Juliet's love may be immortal, but it is above all forbidden. The chamber opera by the German-Baltic composer Boris Blacher, written in 1943, condenses Shakespeare’s famous tragedy to its essence: the fate of Romeo and Juliet. Scenic miniatures conjure a foggy world hostile to love. Characters occasionally materialise like ghostly apparitions, while a Brechtian chansonnier comments with humour and with harshness on the failure of the greatest love story of all.

A young woman struggling by as a street performer is noticed for her enchanting voice.