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Documentary
In 1966, John Harlin II died while attempting Europe's most difficult climb, the North Face of the Eiger in Switzerland. 40 years later, his son John Harlin III, an expert mountaineer and the editor of the American Alpine Journal, returns to attempt the same climb.
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Drops of fire that create a universe of magmatic asteroids. Liquid and gravitational reality. Cosmic energy. Atomized Rhythm. Neurons of a liberated unconscious. Elimination of the idea of "soul" as "everything", reducing it to the condition of units of energy in perpetual process, elementary particles, without duration, that arise in perfect dependence. The "I" as a stream of units of force in ceaseless becoming that procures the illusion of an entity. Karmic chain. The idea that eternity resides in the transitory, the eternal belongs to it instantly. Eternity not as infinite duration but as absence of temporality. Universe of a mobile, procedural, relational and interactive nature of everything that exists. Here the "object" is conceived as something that is constituted, completed, lost and recovered with the vibrating rhythm of a universe in constant production.
In October 1984, Pierre Béghin, an engineer from Grenoble, and Jean-Noël Roche, a high-mountain guide, completed the Himalayan ascent of Dhaulagiri (8,172 m). The expedition's context: seven people crossed Nepal to Muri, collected accounts from trekkers—including that of the author Robert Rieffel—and attended Sherpa prayers at base camp. Then, the two of them embarked on a rocky and snowy route without supplemental oxygen. At over 5,000 meters, on the mountain of winds, Jean-Noël Roche made a paragliding flight. The climbers brought back footage with their Super 8 camera from 6,500 meters, but only photographs have been able to confirm their presence on the summit ridge of the seventh highest peak in the world.
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.
For its reproduction, the megaloprepus dragonfly specifically relies on periodic puddles in tree holes and bromeliacea in tropical rain forests. Territorial males tenaciously defend these resources. Females lay their eggs in the water holes of the territorial males and are guarded by them. Any satellite male - i. e., one without a territory - who tries to grab a female is driven away by the territorial male.
The film shows the prey-catching behaviour of the edible frog at a small garden pond and at a gravelpit. The catching of creeping and (under experimental conditions) hanging earthworms, of flies sitting on the surface of the water and of egglaying dragonflies (Sympetrum spec.) in tandem position are visible.
