Alice Timander
Herself
Documentary filmmaker Rebecka Rasmusson becomes pregnant with the man she believes to love, when it turns out that he also has another woman. One evening in front of the TV, Rebecka sees an interview with the 90 year old premier queen Alice Timander who says she never felt…
Herself
Herself
Herself
Herself

"One Last Hug" chronicles a three day summer camp for children learning to cope with the death of a loved one. With the guidance of trained professionals, grieving children as young as seven years old learn that their feelings are normal, and that by talking about them they can begin to heal. A testament to the healing power of shared sorrow, One Last Hug shows the often-unseen and particular experience of children's grief.

Documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.

The story of Pocahontas has been passed down through the centuries. Her relationship with John Smith has been characterized as a romance that united two cultures and created lasting peace. However, the life of this American Indian princess was anything but a fairytale. Join us as we look beyond the fiction and reveal the real story of Pocahontas, a tale of kidnapping, conflict, starvation, ocean journeys, and the future of an entire civilization.

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

Filmmaker Froukje van Wengerden’s 86-year-old grandmother shares a powerful memory from 1944, when she was just 14. As her story unfolds, we see a group of contemporary 14-year-old girls. Their procession of portraits permits the spectator to see simultaneously forward and back, into the future and towards the past. A miraculous testimonial that uses eye contact to focus the viewer inward and evoke unexpected emotions.