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One night in November 1976, after his car breaks down on a road outside Dallas, Randall Dale Adams accepts a ride from teenager David Harris. Harris is driving a stolen vehicle and, later that night, when Dallas police officer Robert Wood pulls the car over to check its headlights, he is shot and killed. A jury believes Adams is the killer, but stylized reenactments and interviews with key figures, conflicting testimonies and evidence are presented to argue that Adams was framed by a corrupt justice system, ultimately leading to his exoneration.
Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.
Documentary about the Football World Cup held in Argentina in 1978, focusing on the competition and behind the scenes of the most important soccer competition in the world. Two versions of the 1978 official film exist, the first "Copa 78 - O Poder do Futebol" was made by Brazilian directors Maurício Sherman and Victor di Mello in 1979 but was later withdrawn by FIFA because of its controversial content. The film includes an interview with Rodolfo Galimberti, one of the leaders of the Montoneros guerrilla group and also made accusations that the Argentinian competition organisation committee had deliberately hindered Brazilian chances of success by tampering with the pitch at Mar del Plata.
More than 15 years after leaving the country, Eugène Murangwa, the former goalkeeper of the most popular club in Rwanda and national team, returns to his native land to pass on the values of a sport which saved him in 1994 to the young people of an association that he created with former football players. Illustrated with previously unseen archives, the film throws a new light on the history of Rwanda through football, a sport which served the “civilizing” mission of the colonizer, allowed the Hutu Power to mobilize the youth and helped the reconstruction of the country after the genocide.
Mexico, March 2015. Carmen Aristegui, incorruptible journalist, has been fired from the radio station where she has worked for years. Supported by more than 18 million listeners, Carmen continues her fight. Her goal: raising awareness and fighting against misinformation. The film tells the story of this quest: difficult and dangerous, but essential to the health of democracy. A story in which resistance becomes a form of survival.
A sport like football is primarily a passionate celebration, but one that is so massive (economically, politically and socially) that it, of course, also brings many problems. Olallo Rubio's third documentary (and fourth film in total), Ilusión Nacional, is a take on how the world's most popular sport relates to Mexican society and politics.
