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The film tells about the main stages of the history of the country's largest studio "Mosfilm", about the work of the creative team, introduces the viewer to the outstanding masters of Soviet cinematography, with such unique groups such as the Theater-Studio of Film Actors, with the workshops of the studio.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

"La Dolce Doku" is a master's thesis by Leonard Stern. The film delves into the pop-cultural phenomenon of Roy Bianco & Die Abbrunzati Boys – a band that represents far more than "just" Italian pop music. It explores authenticity, musical DNA, a longing for Italy, and the question: Why does this project work so well – and why does it resonate with so many people? Through interviews, studio footage from Vienna, concert moments, expert opinions from figures such as Dieter Thomas Kuhn, Dr. Richard Brütting, and Prof. Dr. Christoph Jacke, as well as insights from longtime associates of the band, the film attempts to paint a multifaceted picture – without shattering the myth. The documentary aims to explain why RB&DAB are not just a fleeting phenomenon, but a band with lasting relevance.