The Beach Boys and The Satan

Tells the story of Justin Bieber, the kid from Canada with the hair, the smile and the voice: It chronicles his unprecedented rise to fame, all the way from busking in the streets of Stratford, Canada to putting videos on YouTube to selling out Madison Square Garden in New York as the headline act during the My World Tour from 2010. It features Usher, Scooter Braun, Ludacris, Sean Kingston, Antonio "L.A." Reid, Boyz II Men, Miley Cyrus, Jaden Smith, Justin's family members and parts of his crew and huge fanbase in a mix of interviews and guest performances.

Born underground, on the heels of the Civil Rights Movement and the Stonewall Riots, disco’s nascent popularity saw the spectacular takeover of the dancefloor, the airwaves and burgeoning fashion trends that reflected the joy and freedom inherent to the genre. Co-opted and exploited through references like John Travolta’s strut and shiny Swedish tracksuits, disco eventually reaches the mainstream, losing its original flair and purpose rooted in radical politics and social change.

In Fernando Nation, Mexican-born and Los Angeles-raised director Cruz Angeles traces the history of a community that was torn apart when Dodger Stadium was built in Chavez Ravine and then revitalized by one of the most captivating pitching phenoms baseball has ever seen. Nicknamed “El Toro” by his fans, Fernando Valenzuela ignited a fire that spread from LA to New York—and beyond. He vaulted himself onto the prime time stage and proved with his signature look to the heavens and killer screwball that the American dream was not reserved for those born on U.S. soil. In this layered look at the myth and the man, Cruz Angeles recalls the euphoria around Fernando’s arrival and probes a phenomenon that transcended baseball for many Mexican-Americans. Fernando Valenzuela himself opens up to share his perspective on this very special time. Even 20 years later, “Fernandomania” lives.

On August 9, 1988, the NHL was forever changed with the single stroke of a pen. The Edmonton Oilers, fresh off their fourth Stanley Cup victory in five years, signed a deal that sent Wayne Gretzky, a Canadian national treasure and the greatest hockey player ever to play the game, to the Los Angeles Kings in a multi-player, multi-million dollar deal. As bewildered Oiler fans struggled to make sense of the unthinkable, fans in Los Angeles were rushing to purchase season tickets at a rate so fast it overwhelmed the Kings box office. Overnight, a franchise largely overlooked in its 21-year existence was suddenly playing to sellout crowds and standing ovations, and a league often relegated to “little brother” status exploded from 21 teams to 30 in less than a decade.

The documentary aims to provide an insight into the workings of the non-profit Metal Diver e.V. from the Sauerland region and, at the same time, to highlight the importance of volunteering in rural areas and the challenges and importance of cultural associations for the music world.

The movie narrates the story of an organ ranger in Tulang Bawang, Lampung named Mirwan. From Mirwan’s daily activities, we can see how the music dynamic and organ group life with all the challenges faced by Mirwan, being a well- known Ranger in his region.

Set against the backdrop of 1980s Britain, four young men – Boy George, Roy Hay, Mikey Craig, and Jon Moss – formed a multi-racial, ethnically diverse, and sexually liberated band with a style and sound that challenged the status quo during the era of New Romantics and Margaret Thatcher’s Britain.

Candidates who dream of becoming idols face a grueling survival camp with the current members of the idol group BiS!

Presenting Goose's 'Fred The Film', a 2 hour music documentary showcasing some of the band's favorite moments and songs from Goose's first festival, Fred! Enjoy behind-the-scenes footage, as well as 7 song selections from the weekend.

Interview with the italian composer Claudio Gizzi about his lifetime and work as part or the extras of the Blu-Ray edition from What? (Che?) (1972) from Roman Polanski

Peter Whitehead’s disjointed Swinging London documentary, subtitled “A Pop Concerto,” comprises a number of different “movements,” each depicting a different theme underscored by music: A early version of Pink Floyd’s “Interstellar Overdrive” plays behind some arty nightclub scenes, while Chris Farlowe’s rendition of the Rolling Stones’ “Out of Time” accompanies a young woman’s description of London nightlife and the vacuousness of her own existence. In another segment, the Marquess of Kensington (Robert Wace) croons the nostalgic “Changing of the Guard” to shots of Buckingham Palace’s changing of the guard, and recording act Vashti are seen at work in the studio. Sandwiched between are clips of Mick Jagger (discussing revolution), Andrew Loog Oldham (discussing his future) – and Julie Christie, Michael Caine, Lee Marvin, and novelist Edna O’Brien (each discussing sex). The best part is footage of the riot that interrupted the Stones’ 1966 Royal Albert Hall concert.

Four artists - born in the same city - dig deep to reveal their connection with music. They are modern troubadours. Music is their soul - their lyrics transmit an intimate, sincere and unconventional message. A superb portrait of underground artists.