The Iron-Eating Monster

In feudal Korea, a group of starving villagers grow weary of the orders handed down to them by their controlling king and set out to use a deadly monster under their control to push his armies back.

Chaney plays two roles: mad scientist Arthur Lamb and Lamb's "experiment", known only as the Ape Man. This hideous creature was the result of Lamb's attempts to transplant animal glands into human beings. A lost film.

When a sculptor falls in love with his model but finds his love unrequited, he plans to kill his love rival with the help of the owner of a Horror Wax museum. The film is considered lost.

A banker, after a prophetic meeting with a Gypsy fortune teller, becomes delusional as he searches for a trunk which the seer has told him holds the key to either his happiness or his death. This film is considered lost.

L. Frank Baum would appear in a white suit and present his live actors, slide shows and films as a live travelogue presentation of his popular fantasies. Highlights include Dorothy being swept to Oz in various ways, such as with back-projection tornadoes and storms in a chicken coop. Lack of financial backing forced the show to fold after appearing in only two cities, despite being a critical and commercial success. This film is lost.

The tyrannical Lord Danjo Mikoshiba covets the rich, fertile lands surrounding Lake Yakumo. During a memorial ceremony for the late Chigusa lord, Mikoshiba launches an attack, overthrowing the honorable Lord Juro. Just when all seems lost, Daimajin rises from Lake Yakumo to settle a score of his own.

A giant stone statue comes to life to protect the residents of a small town against the depradations of an evil warlord.

The Great Buddha Arrival, also known as The Great Buddha Arrival: Chukyo Edition, is a lost 1934 independently made Japanese black-and-white kaiju film directed by Yoshiro Edamasa.

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

Gamera escapes from his rocket enclosure and makes his way back to Earth as a giant opal from New Guinea is brought back to Japan. The opal is discovered to have been an egg that births a new monster called Barugon. The creature attacks the city of Osaka by emitting a destructive rainbow ray from his back, along with a freezing spray capable of incapacitating Gamera.

With Los Angeles in flaming ruins from a nuclear attack, solders mop up what is left of the deadly spider with a giant spider killing robot: Mecha-Destructor. Unfortunately, a terrorist escaped from the weapons base with a suit case full of the creatures. Shot down behind the Beluxor Hotel, the spiders make their way in the pyramid and up and down the strip devouring gamblers, show girls and destroying many landmarks.

Student film and first feature by director Kiyotaka Taguchi. A giant monster invades Japan sending everyone into a panic. The military efforts are useless until a giant robot appears to save humanity. Blends tokusatsu practical FX with CG for an impressive debut.