Frontier Town

An over-the-hill rodeo champion gets fired from his assembly line job in Texas. He and a buddy then decide to head to Wyoming to get a job herding mustangs. His wife gives him her his blessing, knowing he needs to find something which satisfies his spirit. They sign up for a roundup headed by a veteran cowboy. With the job, he finds himself cross-wise of a corrupt government official, who is making big profits on the illegal sale of wild horses.

With his bronco-busting career on its last legs, Junior Bonner heads to his hometown to try his luck in the annual rodeo. But his fond childhood memories are shattered when he finds his family torn apart by his greedy brother and hard-drinking father.

This Columbia western starring Charles Starrett finds Steve Randall (Charles Starrett) forming a radio show with Jimmy Wakely (Jimmy Wakely) and his Saddle Pals, and are in town for a rodeo. Reporter Connie Pearson (Constance Worth) persuades them to visit Marty Jones (Elvin Fields), a fatherless boy, who has been sent to a boy's home after stealing Steve's wallet, ran by Tom Goodwin (Forrest Taylor.) Marty tells Steve that the home is a phony and is a front for cattle rustlers. Steve passes the information on to Connie, who doesn't believe him, so he and Jimmy wire the ranch for sound. They are caught and Goodwin turns them over to Sheriff Barnes (Edmund Cobb), and then plans to skip the country

A former champion rodeo rider is reduced to using his saddle skills to promote a breakfast cereal in a gaudy Las Vegas show. When he's asked to perform with a $12 million horse, he discovers it is being doped to remain docile. He flees into the desert astride the beast in an act of defiance. A story-hungry female reporter gives chase.

Once a rising star of the rodeo circuit, and a gifted horse trainer, young cowboy Brady is warned that his riding days are over after a horse crushed his skull at a rodeo. In an attempt to regain control of his own fate, Brady undertakes a search for a new identity and what it means to be a man in the heartland of the United States.

Two championship rodeo partners travel to New York to find their missing friend, Nacho Salazar who went missing there.

Two peanut vendors at a rodeo show get in trouble with their boss and hide out on a railroad train heading west. They get jobs as cowboys on a dude ranch, despite the fact that neither of them knows anything about cowboys, horses, or anything else.

While filing for a divorce, beautiful ex-stripper Roslyn Taber ends up meeting aging cowboy-turned-gambler Gay Langland and former World War II aviator Guido Racanelli. The two men instantly become infatuated with Roslyn and, on a whim, the three decide to move into Guido's half-finished desert home together. When grizzled ex-rodeo rider Perce Howland arrives, the unlikely foursome strike up a business capturing wild horses.

This film chronicles the life of Lane Frost, 1987 PRCA Bull Riding World Champion, his marriage and his friendships with Tuff Hedeman (three-time World Champion) and Cody Lambert.

Two punks from the big city, traveling across the country in a Volkswagen bug, embrace the western ethos when they must take revenge against a group of rednecks for killing their friend in this lighthearted road movie. Along the way, they enlist the help of a young woman who runs a wrecking service.

CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.

Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud's nephew Lon admires Hud's cheating ways, though he soon becomes too aware of Hud's reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He's a cheat, but, he explains, "I always say the law was meant to be interpreted in a lenient manner."