They Will Have to Kill Us First

In the wake of tragedy, a renowed New York dance company is on the brink of collapse. After leaving the dance world for good, Travis, Chrissa, and Max are pulled in to resurrect the dance that shattered their careers. They have one last chance to save the company, re-connect with the passion and magic, and prove that miracles really can happen.

The film follows Yudale, a religious youth from the settlements, as he experiences a crisis of faith. As he receives a camera from Michal, a Tel Aviv director who teaches him how to film, Yehuda documents his life on the line between the settlement Tko’a and Tel Aviv: his final conversations with his dying father—Rabbi Menachem Fruman– their joint study, and saying goodbye to him. When his father dies, Yehuda chooses to take off his kippah. During the year of mourning, he continues to document his life outside the religious world: exploring Tel Aviv, talking to Michal, and his new perspective on his family and their way of life. Elisheva, a newly observant Jew orphaned from her mother, comes into his life as a soul mate exactly at the moment when he loses hope of finding his way.

Directed by Marion Grierson, who ran the film unit of the Travel and Industrial Development Association (TIDA), this short film contains some fine photography of the delights on offer to Edinburgh visitors - including trams, bustling streets, restful parks and some familiar tourist sights.

London at its best? This gorgeously photographed portrait of the capital was made by Marion Grierson, sister of the more famous John Grierson, often hailed as the father of documentary film. The film transcends the typical travelogue thanks to the photography of William Shenton and Grierson's poetic approach to editing - which prefigures modern films like the acclaimed From the Sea to the Land Beyond (2012). The film achieved international fame at the time of its original release, yet Marion Grierson is almost completely overshadowed in the history of British documentary film by her brother John.

This documentary contains dramatized episodes about the lives of Erika and Klaus Mann, the brilliant children of German writer Thomas Mann.

Anne Boyd, one of Australia's leading contemporary composers, teaches music at the publicly funded University of Sydney. This documentary chronicles a year in the life of an academic department that's under the financial gun.

Filmmaker Teresa Blake's portrait of an 88-year-old man with a trail of Texas Exes: Houston oil man, Hollywood playboy, hotshot lawyer and serial monogamist Tommy Blake on a quirky and intimate journey, a daughter looks beyond myth, money, and society -- and all that hair -- in seeking the truth of her father.

Film archivist and former director of the San Francisco Lesbian and Gay Film Festival Jenni Olson created this fast-paced and often funny, campy 75-minute film comprised entirely of spliced together movie trailers. Some of the segments have themes such as a breezy look back at John Travolta's career that includes trailers from such films as Saturday Night Fever, Staying Alive, Grease, Perfect, and Moment by Moment. Other trailers include Mae West in Sextette, the disco camper Thank God It's Friday, Raquel Welch in Kansas City Bomber, Pier Paolo Pasolini's The Gospel According to St. Matthew and the rarely seen Chastity, the serious acting debut of Cher.

A portrait of the masterful author whose novels were adapted into the classics 'The Birds,' 'Jamaica Inn,' and 'Rebecca."

Nine African American butch lesbians talk about various aspects of the butch lifestyle and their own personal lives.

The Director reflects upon and seeks to understand the causes and the events that lead to her drug-addicted prostitute daughter being murdered at the age of 26.