Topophilia

Latest installment from the on-going collaboration between filmmaker Paul Clipson & musician Jefre Cantu-Ledesma. Paul's Super8 films, shot entirely in New York City, channel the blissed out states of color drenched psychadellia explored by Brakage as well as lovely black and white still life's that reminisce on Ozu's 'pillow shots' & Chantel Akermans monumental portrait of Pre-Giuliani New York 'Letters Home'. Jefre's music is culled from the same sessions that launched his 2007 release on Students Of Decay 'Shinning Skull Breath', (the two share a track in common). Billowy clouds of distorted guitar expand out into long passages of muffled static and fuzzed out melody.

Considerations on collage as a cognitive act in artists’ cinema. A pedagogical film adrift: 35mm photographs and other materials collected over the last fifteen years by artist Stefano Miraglia meet a text written by Baptiste Jopeck and the voice of Margaux Guillemard.

Armed with realistic bird puppets, trickster environmental activists pretend to be oil company Total—staging a satirical press conference to introduce “RéHabitat,” a program to rescue animals from the East African Oil Pipeline by relocating them to “more sustainable” habitats. Using humor and mischief, they expose a deadly ecological disaster in a zany effort to help #StopEACOP.

Our shoes go lots of places, across vast distances, and over many miles. But eventually, no matter how much we care for them, our shoes break down and usually get thrown away. Max Romey wanted to find out what happens to his old shoes, and in his film No Lost Shoes, highlights the full scale of the problem.

Just one of the many far-reaching impacts of the slave trade on human history is on agriculture and horticulture. While the French plantation owners on the Caribbean island of Martinique had their gardens laid out, Versailles-style, their enslaved workers continued their tradition of using medicinal wild herbs. Nowadays these herbs represent one of several resources through which the people of Martinique counter the health and ecological ravage caused by the use of pesticides on the banana plantations. Farmers are reclaiming uncultivated lands to grow indigenous vegetables, without any industrial pesticides; they fight boldly for simple biodiversity.

First Descent is a 2005 documentary film about snowboarding and its beginning in the 1980s. The snowboarders featured in this movie (Shawn Farmer, Nick Perata, Terje Haakonsen, Hannah Teter and Shaun White with guest appearances from Travis Rice) represent three generations of snowboarders and the progress this young sport has made over the past two decades. Most of the movie was shot in Alaska.

"Adrift" is shot on the arctic island of Spitzbergen and in Norway. It combines time-lapse photography with stop-motion animation of the landscape. Through camera-angles and framing the film gradually dislocates the viewer from a stable base where one loses the sense of scale and grounding.

'Alaska Far Away' tells the story of the Matanuska Colonization Project of 1935, a creative and controversial New Deal program that relocated 202 families devastated by the Great Depression, taking them from the upper Midwest to the Matanuska Valley in Alaska to start an experimental farming colony. It generated a whirlwind of publicity and controversy at the time, not only as a federally-funded social experiment, but also as one of the last pioneer movements in America. The Matanuska Colony isn't just a fascinating footnote to the history of Alaska. It encompasses the despair of the Depression, the creative energy of the New Deal, the adventure of pioneering in Alaska, and the best and worst of our government and ordinary citizens in facing those extraordinary challenges.

In Fabrizio Terranova’s film, Donna Haraway – an original thinker and activist, one of the founders of cyberfeminism and the author of A Cyborg Manifesto, which proposed a number of innovative theories about the existence of scientific knowledge – calls for the abandonment of the idea of human exceptionalism and for a conception of the world as complex web of interconnections between people, animals and machines. Jellyfish can be seen flying around her home while she discusses the stories that are necessary for Earth’s preservation and reads her fantastic tale of the art of survival on a broken planet, and of fusion and care between the species.

As a centuries-old black community, contaminated and uprooted by petrochemical plants, comes to terms with the loss of its ancestral home, one man standing in the way of a plant's expansion refuses to give up.

In 2015, in Damascus, the Basateen al-Razi district and its orchards were razed to the ground as punishment for the population's uprising against the regime. Having lost everything, two former residents recall their neighborhood.

A new uranium mill -- the first in the U.S. in 30 years -- would re-connect the economically devastated rural mining community of Naturita, Colorado, to its proud history supplying the material for the first atomic bomb. Some view it as a greener energy source freeing America from its dependence on foreign oil, while others worry about the severe health and environmental consequences of the last uranium boom.