Return of a Citizen

The events revolve around three eras: the Pharaonic era, the Mamluk era, and the first half of the 20th century. The events revolve around corruption and the power of some clerics over the ages to power and false and bad dealings with the people, and how to involve religion in politics in order to obtain positions. That there are clerics deliberately coloring and counterfeiting in this period of time to be the strongest and maintain their positions.

The film is an adaptation of a novel by Ismåeel Walieddin. The main character, Ahmad, leaves rural eastern Egypt for the city hoping to become economically self-sufficient, gets an apartment for his parents, and obtains a law degree. He and his family are refugees from a town occupied by the Israeli army, Ismaåilia. Ali, the owner of the Malatily Bathhouse, offers to let him stay there for free. Ahmad encounters several characters there, including Naåeema, a prostitute who he becomes obsessed with, and Raouf, a homosexual man.

Four people from an Arab generation roaming over the ruins of ideologies, causes and virtues of their predecessors. It portrays their intellectual and emotional nonchalance about what is happening around them in their daily lives and relationships. In a house whose architecture is a sixties' experiment in mixing modern and Islamic architecture, a stone and concrete cube suspended over a rocky shore bashed by the waves of the Mediterranean, by famed Iraqi architect Refaat Chaderji, we spend a night with four characters whose non-stop conversations and peculiar actions reflect the void and chaos they are living in.

The story of the film, in a different context of a successful and wealthy engineer named Hossam Khedive, but recently suffers from problems in his natural life resort to alternative life through a new device enters the world of dreams.

Mansoor, a 16 year-old teenager, living in a coastal "freej" (an Emirati neighborhood), has strong feelings for 16 year-old girl Kaltham. But culture and tradition, as well as family hardship, make it difficult for him to express his feelings. A conversation with his "know-it-all" friend convinces him that a gift is the best way to express love, and so, he begins to look for ways to save money for the gift without arousing the suspicion of his family and friends.

After a "white lie" which spirals out of control, a neurotic, naive and musically gifted Muslim cleric's eldest son must follow through with an arranged marriage, except he is madly in love with an Australian born-Lebanese girl.

Youssef joins a United Nations disaster-fighting group dubbed the Desert Cat. When he discovers an alternative for petrol, an international gang tries to steal his discovery and recruits a girl to seduce him.

The film is an Egyptian adaptation of a play by Marcel Pagnol, transposed into an Egyptian and Arab context. It follows the story of a shy, naive professor who allows himself to be exploited by an aristocrat or influential figures—depending on the interpretation—in a gambling scheme or a con. As the plot unfolds, the professor undergoes a moral transformation, coming to accept and eventually adopt behaviors that were initially alien to his nature. The narrative explores two central themes: the temptation of corruption and the clash of cultural codes—specifically between Western culture and the Arab/Cairene society depicted in the film.

A wife gives birth to sextuplets, forcing the husband to sell three of their children due to poverty. When the wife finds out, she decides to leave her husband and travel abroad and many conflicts arise between siblings in the future.

Three women each have their own ambitions and aspirations. The first dreams of fame and fortune and meets a rich, married man she attempts to court. The second is a secretary with designs on her boss, even though he too is married. Having learned from her friends' experiences, the third takes an altogether different path.

A dangerous drug dealer, who manages to manufacture new drugs, sells them, and falls into many problems and chases by the police.

Refugees are captured by border patrol officers as one woman escapes to find herself surviving on her own in a foreign land.