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María is an Amorúa girl; an indigenous group that traveled the savannas of Orinoquía as nomads. She lives with her grandmother Matilde, her sister diana and her cousins in Puerto Carreño, in the Colombia-Venezuela border. The amorúa are considered wild and are not literate. Matilde wants her granddaughters to learn to write and read to live better in this town of "rational whites" as they call us. The director follows María's life for 8 years from her childhood to her adolescence and invites her to travel the places her grandma did as a nomad.
God's Girls describes life in a Sisters of Mercy convent in country New South Wales from the 1940's to present day. This courageous and clever film investigates the subtle complexities of change within a society that has been surrounded by mystery for hundreds of years. The stories from the women in the film reflect the often intricate paths of social, political and religious history, not only in Australia but also in the rest of the world.
The film tells a very personal story from two perspectives: our protagonist is both doctor and patient. As a patient, he has struggled with recurring depression for years, and as a doctor he wants to find out why. The search for the origins of his illness leads him into the realm of his own genes and casts light on the fundamental changes facing modern society as a result of the tremendous progress being made in the field of genetic sequencing. Along the way, he meets a host of people – researchers, artists, visionaries – who have developed their own very individual approach to genetic coding and are drawing attention to the social significance of genetic technology. The film does not restrict itself to a scientific view of the subject but also makes use of artistic visions and more playful approaches to genetic blueprints.
Six days. Three frontiers. One amazing lab. From 2010 to 2012, a film crew followed a group of scientists at the Department of Energy's Fermilab and filmed them at work and at home. This 40-minute documentary shows the diversity of the people, research and work at Fermilab. Viewers catch a true behind-the-scenes look of the United States' premier particle physics laboratory while scientists explain why their research is important to them and the world. Scientists included: Brendan Casey, Herman White, Craig Hogan, Denton Morris, Mary Convery, Bonnie Fleming, Deborah Harris, Dave Schmitz, Brenna Flaugher and Aron Soha.
Between light and darkness stands Olfa, a Tunisian woman and the mother of four daughters. One day, her two older daughters disappear. To fill in their absence, the filmmaker Kaouther Ben Hania invites professional actresses and invents a unique cinema experience that will lift the veil on Olfa and her daughters' life stories. An intimate journey of hope, rebellion, violence, transmission and sisterhood that will question the very foundations of our societies.
In 2008, Gretchen divided her twerking between the stage and the podium. The singer and dancer – also known as the "Booty Queen" – traveled through villages in the northeast of Brazil, making a living as an artist in local circuses and making noise in her campaign for mayor of Itamaracá Island, in Pernambuco. From circus to circus, the film records the performer's experiences to face her political opponents and her new audience, the electorate.
The Idiot Cycle investigates six major chemical companies—Dow Chemical, BASF, Bayer, Dupont, Astrazeneca and Monsanto—that are not only responsible for producing decades of cancer causing chemicals and pollution all across the globe, but also profit extensively from controlling cancer treatments and the production of drugs for those treatments. The irony is palpable. Also examined is how these very same companies own the most patents on genetically modified foods that have also never been tested for long-term health impacts like cancer. When there’s dioxin in every mother’s breast-milk, rivers throughout the world that no longer support life, cataclysmic environmental damage from industry and manufacturing—when do we say enough is enough?
