Documentary
In 1908, amateur naturalist and pioneering filmmaker Percy Smith stunned early cinema goers with his footage of the juggling fly. Hailed as the father of Natural History film, Smith was a hugely influential visual pioneer, inventing many techniques that are still used today.…

Self - Presenter

Self
Self - Science Museum, London
Self - Film Archivist
Self - Entomologist
Self - Curator, Silent Film, BFI
Self - Film Archivist
Self - National Media Museum

Hokkaido, the North Island of Japan, is a powder-lover's paradise. If you’ve never been, it’s time to start planning your trip. And consider this new film from Director Jeremy Dubs to be your crash course in traveling to Japan. Follow Dubs and crew as they explore Hokkaido’s vast mountains, welcoming locals and exotic cuisine. Whether it’s wandering around abandoned resorts, carving snow caves with chainsaws or trying their best to woo women, there’s never a dull moment with this crew.

A peculiar homage to the things that go wrong, this film is purportedly about rugby. The self-explanatory title for this jumpy “documentary” is less concerned with the filmed subject (the game, the field, the players) than a comic editing style and the complete acknowledgement given to the technical aspect of gathering and manipulating raw footage.

The film tells the story of the intimate and unprecedented encounter between the photojournalists of the Magnum Agency and the world of cinema. The confrontation of two seemingly opposite worlds – fiction and reality. For 70 years their paths crossed: a family of photographers, amongst them the biggest names in photography, and a family of actors and filmmakers who helped write the history of cinema, from John Huston to Marilyn Monroe to Orson Welles, Kate Winslet and Sean Penn.

The greatness, fall and renaissance of Hammer, the flagship company of British popular cinema, mainly from 1955 to 1968. Tortured women and sadistic monsters populated oppressive scenarios in provocative productions that shocked censorship and disgusted critics but fascinated the public. Movies in which horror was shown in offensive colors: dreadful stories, told without prejudices, that offered fear, blood, sex and stunning performances.
Self - archive footage
Self - Scientist & Collector