Secret of Water

For Barbara Figueroa

María is an Amorúa girl; an indigenous group that traveled the savannas of Orinoquía as nomads. She lives with her grandmother Matilde, her sister diana and her cousins in Puerto Carreño, in the Colombia-Venezuela border. The amorúa are considered wild and are not literate. Matilde wants her granddaughters to learn to write and read to live better in this town of "rational whites" as they call us. The director follows María's life for 8 years from her childhood to her adolescence and invites her to travel the places her grandma did as a nomad.

LOOK AT US NOW, MOTHER! is about the transformation of a highly charged mother/daughter relationship from Mommie Dearest to Dear Mom, from hatred to love, as told through the filmmaker's story. The film is an unflinching look at the complex bond between mother and daughter. It reveals insights into family behaviors, patterns and generational, societal, cultural and individual histories. The film takes the audience on a journey spanning decades and continents, filled with conflict and emotional land mines. Told through biting humor and raw honesty, this is an intimate story about family dysfunctions and forgiveness.

A profile of Istanbul and its unique people, seen through the eyes of the most mysterious and beloved animal humans have ever known, the Cat.

Marion Hänsel directed this personal meditation on the joys and responsibilities of parenthood, in which a narrator reads Hansel's philosophic musings on raising her young son on her own, while carefully shot and selected footage of different cloud formations from around the world provide a striking visual backdrop. Catherine Deneuve read Hänsel's text in the original French-language version of Nuages; Charlotte Rampling did the honors for the English-language print, while Barbara Auer, Carmen Maura, and Antje De Boeck respectively lent their voices to the German, Spanish, and Dutch editions of the film.

What began as a video master class evolved into a film about the political documentaries of Oscar-winning cinematographer Haskell Wexler. Comprised of footage from his films as well as interviews, the film is an intimate portrait of the genius behind the camera.

"You are suffering from a mental fragility,” the doctor tells Ahang as she desperately tries to understand why she sometimes feels so terribly sad, as though everything has fallen apart. From the outside, she seems to live a sound and good life. For periods of time everything feels really good. But then it hits her: that horrific panic and despair that destroys everything and presses her down into a deep black hole.

The Divide tells the story of 7 individuals striving for a better life in modern day US and UK - where the top 0.1% owns as much wealth as the bottom 90%. By plotting these tales together, we uncover how virtually every aspect of our lives is controlled by one factor: the size of the gap between rich and poor.The film is inspired by "The Spirit Level" by Richard Wilkinson and Kate Pickett.

An ode to man's capacity to care for all creatures throughout their sometimes greatly protracted existence, displayed through the homegrown remedies Tom and Debbie Nicholson create for disabled animals.

In 1991, a long-form music video version of Goo was released on VHS and LaserDisc. A music video for each song from the album was included; the track listing was identical to that of the original album.

Los Punks: We Are All We Have is an intimate documentary about the teens and young adults who find meaning in the thriving punk rock scene in the backyards of South Central and East Los Angeles.

America Undercover goes to the Madison Hotel in the skid-row section of downtown Los Angeles and talks to some of the desperate people living there. It talks to a prostitute and heroin addict named Becky, a drug dealer and traveler names John, and an heavy drinking alcoholic named Jack Woodrow Wilson.