The Cheetah

Osama said, "I often took walks with Luna. We roamed around Damascus, where nothing could compare to the smell of bread and jasmine in the morning. Sometimes, Luna would tell me stories about wonderful cities."

Aporia tells the story of someone caught in the midst of cultural, religious, ethnic, and national conflict. After fleeing Syria, Haleem hopes to bring his wife and children and settle in Germany. During a layover in South Korea, he is found in possession of a fake passport. Haleem then finds himself struggling in an unfamiliar country, taking illegal and illicit work in the hopes of being reunited with his family…

The story of the film, in a different context of a successful and wealthy engineer named Hossam Khedive, but recently suffers from problems in his natural life resort to alternative life through a new device enters the world of dreams.

A dangerous drug dealer, who manages to manufacture new drugs, sells them, and falls into many problems and chases by the police.

Four people from an Arab generation roaming over the ruins of ideologies, causes and virtues of their predecessors. It portrays their intellectual and emotional nonchalance about what is happening around them in their daily lives and relationships. In a house whose architecture is a sixties' experiment in mixing modern and Islamic architecture, a stone and concrete cube suspended over a rocky shore bashed by the waves of the Mediterranean, by famed Iraqi architect Refaat Chaderji, we spend a night with four characters whose non-stop conversations and peculiar actions reflect the void and chaos they are living in.

The film revolves around an officer who examines some social issues, especially those related to the crises of the poor within moled el saida, and the problems they face.

Three women each have their own ambitions and aspirations. The first dreams of fame and fortune and meets a rich, married man she attempts to court. The second is a secretary with designs on her boss, even though he too is married. Having learned from her friends' experiences, the third takes an altogether different path.

Two women in their fifties. Everything sets them apart: their social standing, their life experiences, their backgrounds. Despite their differences, they will join forces for the same deeply personal and visceral goal: to gain custody of their grandson upon his return from a jihadist prison camp. Two women, one child. Three destinies inextricably linked.

Set shortly before and during the Six Day War in June of 1967, The Sparrow follows a young police officer stationed in a small village in Upper Egypt whose inhabitants suffer from the harassment of a corrupt businessman.

In the destroyed city of Quneitra is the grave of a resistance fighter for Palestine. His son, the director, tries to restore the dead man's history by mixing echoes of his mother's memory and his desire to give his father a more honorable death. Through the daily lives, dreams, fears, and hopes of its citizens, Malas chronicles his hometown Quneitra in the Golan Heights between 1936, the year of the first revolts against the British and Zionists in Palestine until the year of the city's destruction. He seeks to exorcise a feeling of shame and humiliation that long accompanied the image of his father and also his town, occupied by Israelis in 1967.

Anas Al-Basha, twenty-four years old, is not just another Syrian citizen. In the heart of Aleppo, torn apart by civil war, his only weapons are his red nose and the smiles of the children around him: he is Aleppo's last clown, and he will give his life trying to bring joy to the unfortunate orphans of the conflict.