Piedad

Taking the elegance and poetic power of the sea as main elements, Andrade subverts the role traditionally imposed on women. From observed objects to subjects that open their eyes to forgotten realities. Images that, when fading out, reflect a world whose sensitivity is mutating. Scenes of a dreamlike quality that borders surrealism so as to show the new order of things.

Tradition and performance show us the physical relationship between man and animal when in combat.

"Man, in the need to explain and understand the world around him, gives the animal, especially on the symbolic level, the functions performed, at first only for himself. It is believed that the pig guesses its end, feels death, and on the eve of the slaughter spends the night beating on the door of the court, which is expressed with the belief that that night it gets up seven times to eat the owner". (Adrian Canoura)

In Galician, Devalar means “the passing of time over things”. This short movie is a portrait of a seaside Galician village, on the edge of the Atlantic ocean, drawn by the memories of the director.

A European director is making a film with children from a social center in Tangiers. Because of his methods, his relationship with the children during shooting degenerates and transforms the evolution of the project.

The world is shared among two territories, two states of the being of opposite condition, get strained, are in crisis, to form, to shape what already exists. There’s a wall and there’s always someone who will go and look for what shit is on the other side and maybe on the other side you don’t find what expected. “La Brecha” is a movie that questions the whole concept of artwork while exposing the mechanisms of self-censorship and self-control of the creators at the time of producing their works.

A filmmaker comes back to his grandparents' house to make them a video-portrait. That's what cinema is about, isn't it?