Love the Coopers

Gavin MacLeod and Marion Ross host a Christmas celebration that features classic performances of popular holiday standards and traditional carols performed, throughout decades past, by an array of artists, including Andy Williams, Bing Crosby, Perry Como, Johnny Mathis, Brenda Lee, Eddy Arnold, Nat King Cole, Judy Garland, Mitch Miller and the Gang, Gene Autry, Jimmy Boyd, the Supremes, Rosemary Clooney, the Lennon Sisters, Burl Ives, Mahalia Jackson, Mitzi Gaynor, Julie Andrews, the Beach Boys, the Carpenters, Jose Feliciano, the Drifters, Ronnie Spector, the Harry Simeone Chorale, and David Bowie.

An Episcopal Bishop, Henry Brougham, has been working for months on the plans for an elaborate new cathedral which he hopes will be paid for primarily by a wealthy, stubborn widow. He is losing sight of his family and of why he became a churchman in the first place. Enter Dudley, an angel sent to help him. Dudley does help everyone he meets, but not necessarily in the way they would have preferred. With the exception of Henry, everyone loves him, but Henry begins to believe that Dudley is there to replace him, both at work and in his family's affections, as Christmas approaches.

Paloma is a serious and highly articulate but deeply bored 11-year-old who has decided to kill herself on her 12th birthday. Fascinated by art and philosophy, she questions and documents her life and immediate circle, drawing trenchant and often hilarious observations on the world around her. But as her appointment with death approaches, Paloma finally meets some kindred spirits in her building's grumpy janitor and an enigmatic, elegant neighbor, both of whom inspire Paloma to question her rather pessimistic outlook on life.

Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.

End of High School, Beginning of Summer. A group of friends spend most of their time together, but little do they know that each and everyone of them has set their mind on pursuing one goal, the goal of every teenager : doing it for the first time. And sometimes the line between friendship, love and desire is really thin especially when you’re 15.

A young man wrestles with his demons by way of a skateboard.

1991, Riga Latvia. Lena, a child of divorced parents, escapes from home in the middle of the night when she is fed up with her fathers drinking habits. That's when her journey back home begins.

A short experimental film, exploring the concept that one small change can have a profound impact on a person's life.

After missing her flight to Mumbai, Lia connects with the weird seatmate from her flight, Ralph. They spend the remains of his honeymoon in Thailand confronting the big failings in their lives.

A Latina working in Los Angeles as a messenger is randomly discovered and fashioned into a pop music star.

Annabelle is the wise-beyond-her-years newcomer to an exclusive Catholic girls school. Having been expelled from her first two schools she's bound to stir some trouble. Sparks fly though when sexual chemistry appears between her and the Head of her dorm and English teacher, Simone Bradley. Annabelle pursues her relentlessly and until the end the older woman manages to avoid the law.