Romance / War / Drama
During the Blitz of World War II, a female screenwriter works on a film celebrating England's resilience as a way to buoy a weary populace's spirits. Her efforts to dramatise the true story of two sisters who undertook their own maritime mission to rescue wounded soldiers are…


Catrin Cole

Tom Buckley

Ambrose Hilliard / Uncle Frank

Ellis Cole

Sophie Smith

Sammy Smith

Carl Lundbeck / Brannigan

Phyl Moore

Gabriel Baker

Raymond Parfitt

Roger Swain

Bus Conductor

Paloma is a serious and highly articulate but deeply bored 11-year-old who has decided to kill herself on her 12th birthday. Fascinated by art and philosophy, she questions and documents her life and immediate circle, drawing trenchant and often hilarious observations on the world around her. But as her appointment with death approaches, Paloma finally meets some kindred spirits in her building's grumpy janitor and an enigmatic, elegant neighbor, both of whom inspire Paloma to question her rather pessimistic outlook on life.

Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.
During World War II, spy Wu Lai-sheung is instructed by her superior Fan Yeung-shan to murder spy number 13 Cheung Chi-ping. While Wu establishes a relationship with Sakei, the assistant general of the Japanese army, she also gets acquainted with Cheung. Cheung and Wu fall in love. Wu recommends Cheung to become Sakei's driver. Cheung pretends to court the Japanese spy Siu-kuen, but Siu-kuen arranges to kill the spies contacting with him. Cheung has seen through Kuen's identity for long. When Kuen is going to kill Wu, Cheung kills Kuen, Fan compels Wu to kill Cheung. Wu follows the instruction to murder Cheung. After the murder, Wu disappears. After the war, Fan discovers Wu ends up in asylum. When he visits Wu, he tells her of Cheung's innocence. This breaks Wu's heart. Cheung turns out to have seen through Wu's identity for a long time and pretended to have been killed to cover up his identity and facilitate his work. With the truth known and the war ended, Cheung and Wu married.

End of High School, Beginning of Summer. A group of friends spend most of their time together, but little do they know that each and everyone of them has set their mind on pursuing one goal, the goal of every teenager : doing it for the first time. And sometimes the line between friendship, love and desire is really thin especially when you’re 15.