Western
El Puma, a Mexican desert guide, escorts an archaeological expedition headed by Professor Lucius Lloyd through the Indian badlands of Mexico. Marian, the professor's niece accompanies the party as only she can translate the Aztec writings in the diary of her father, murdered on…


Bill Carson posing as El Puma

Marian Willis

Magpie

Link Benson

Old Dobie

Dr. Jerry Leonard

Prof. Lucius Lloyd


Jerry Johnson inherits a 50,000 acre ranch. Lucky Miller wants to take over the ranch. Roy is trying to get a railroad spur right of way. Lucky has a woman come west to marry Jerry to get control of the ranch. After the wedding, Lucky has the owner killed. Roy’s gun is substituted for the murder weapon, so Roy is put in jail.

In TV's pioneer days when kids idolized the Lone Ranger, the Texas Kid was a knight errant of the frontier leading the fight for law and order alongside his Mexican companion Pepe. In this rarely-seen TV pilot, the Kid and Pepe intercede on behalf of the murdered rancher's daughter, openly defying the landgrabbers in a cow town so lawless that rustlers operate in broad daylight! Shot at the Corrigan Ranch in 1950, TEXAS KID co-starred Mercury Records recording artist John Laurenz as Pepe and stuntman Hugh Hooker as the Kid. Hooker, a specialist in stunts involving horses and stagecoaches, often doubled Gene Autry and even produced a few movies, including the low-budget gem . That movie's star was Hugh's teenage son Buddy Joe Hooker, whose own subsequent, stellar stunt career inspired HOOPER (1978), Burt Reynolds' hit comedy tribute to movie stuntmen.

The Navajo Kid goes in search of the villains who murdered his foster-father and stole both ring and watch. The trail leads straight to Canyon City, Texas, and smooth cardsharp Honest John Grogan, who is in possession of both the stolen items. But Grogan has an ironclad alibi for the time of the murder, an alibi confirmed by none other than Sheriff Roy Landon.

The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.

Singing cowboy Monte Hale plays "himself" in the Republic western Last Frontier Uprising. Actually, he's not really himself, but a federal agent, dispatched to Texas to buy horses on behalf of the government. Hale runs up against a vicious gang of horse thieves, including such veteran western hard cases as Roy Barcroft and Philip van Zandt. The romantic interest is in the dainty hands of Adrian Booth, who used to go by the name of Lorna Gray. Put together with the standard Republic efficiency, The Last Frontier Uprising benefits from the breathless direction of Lesley Selander.

This film was produced and released in 1944 by Film Enterprises for the 16mm school-and-institutional market, and was picked up and released in 1948 by Astor for theatrical 35mm showings. Both versions finds the citizens of Rockford upset over a series of murders and robberies. The Sundowners - Andy Clyde, Jay Kirby and Russ Wade - ride into Rockford and innocently takes jobs with Tug Wilson and his tough crew of line riders, who are in cahoots with Yeager in a big land swindle scheme.
Sheriff

Prospector

Henchman

Henchman
Henchman