Outlaws of the Prairie

In the latter half of the 19th century, gold is discovered in the Black Hills, sacred land of the Lakota people. Gold diggers, profiteers and adventurers flock to the region. Among them is the hard-hearted land speculator Bludgeon, who tries to expel the Lakota using brutal methods. Lakota warriors retaliate, and soon the gold diggers' town becomes a battlefield.

Legendary lawman Pat Garrett wins the Fourth of July buckboard race in a small Nevada town against the unscrupulous Fred Smith and pretty Lavinia White. Lavinia blames Garrett for sending her father Ivory White to jail for robbing 100,000 dollars. White, who has stashed the loot away someplace, is about to be released and plans to return the money to the express office for the sake of his children, Lavinia and Chad. Nasty Jim Judd forces Lavinia to help him rob the coach carrying Ivory and the money, counting on the fact that White will keep quiet for his daughter's sake.

Fuzzy purchases a saloon with a large sack of gold from the mine he owns with his partner Billy. When a crooked lawyer uses underhanded methods to try taking over the saloon, Billy works to bring the lawyer and his no-good gang to justice.

Felix Fenway journeys across the country to find a place where he fits in, Dressed as a cowboy he faces robbers and the long desert in search of a Movie Ranch from an old cowboy TV Show.

When young Crazy Horse, of whom great things were predicted, wins his bride, rival Little Big Man goes to villainous traders with evidence of gold in the sacred Lakota burial ground. Of course, a new gold rush starts despite all treaties, and Crazy Horse becomes military leader of his people. Initial Indian victories lead to the inevitable result. Uniquely, all is told from the Indian perspective.

Lean, mean Texas Ranger Jack Benteen locks horns with a former friend, Cash Bailey, now a ruthless drug kingpin. Though they're on opposite sides of the law, they share a love interest in the sensual Sarita. When a crew of rogue soldiers descends upon the border town for an off-the-books mission, all roads lead to a bloody, to-the-death showdown, as loyalties shift and the lines between good and evil are blurred.

Bill, who is about to lead a wagon train to California, has a map to a valuable gold field and Rocky is after the map. When Rocky and his men attack, Ken Manning breaks it up and later identifies Rocky and his men as the attackers. Expelled from the wagon train, they stampede a buffalo herd puting the Indians on the warpath. After the Indians attack the wagon train, Rocky thinks he can get the map.

An army gold shipment and its escort vanish in the Ozarks, prompting accusations of theft and desertion but frontiersman Old Shatterhand and Apache chief Winnetou help solve the mystery of the missing army gold.

Three fellows band together to help a woman find her uncle's cache of gold in this western. All they have to help them is a tattered map that her uncle, a prisoner of war, created in camp. Unfortunately two badguys have the map and try to turn the three goodguys against the niece. They do not succeed and justice prevails.

A widow hires an ex-gambler to retrieve gold bars from a sunken river boat in Colorado and discreetly return them to the Federal Mint, from where they had been stolen by her dead husband.

Two con-men from the East come out West to join up with Avery. They plan to steal the Lopez diamond from Don Lopez. With the drought, Lopez has sold all of his other jewels for gold so that he can take his people to a better place to live and work. Dean and Soapy try to protect Lopez, but Avery and his gang steal the gold and look forward to stealing the diamond necklace. When Maria offers to become partners with Barrit, it looks bad for Lopez.

Also known as California Outpost, Old Los Angeles stars Bill Elliot in one of his expanded-budget Republic "specials." The film is set during the early statehood days of California, with Elliot keeping the peace and warding off plunderers and marauders. As always, Elliot is a "peaceable man"--until he beats the tar out of those who rile him. The problem with Elliot's more expensive Republic vehicles is that action invariably took a back seat to plot, romance, costumes and decor. Within a year of Old Los Angeles, Elliot started a more austere, less prettified and far superior western series.