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Animation / Music
One of Lawrence Jordan's earliest animated films, PINK SWINE is an energetic and playful mix of various animation styles. Described as "an anti-art dada collage film," this free-form short presents cut-out images animated across old photos (a style picked up by Terry Gilliam a…
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Kiko, a Japanese illustrator on assignment in France, gets suddenly overwhelmed by a strange new inspiration, while she realizes she's been spying on a gay couple on the beach next to the chapel where she's working. Obsessed by such a vision, she will continue spying on those men and drawing them secretly. These drawings will slowly push her towards an encounter that will change her life and break the barriers she created around her.
In a dark expanse that could be the cosmos, we hear the voice of Arthur C. Clarke, whose face - taken from a BBC archive dating back to the 1960s - appears in the distance. His features quickly dematerialize into a multitude of shimmering pixels, creating an enveloping and immersive space out of which the thoughts of the famed author of «2001: A Space Odyssey» emerge. At the heart of this spectral environment, and with a magnetic voice sending us back to the time of cathode ray tubes and the golden age of television broadcasting, A C. Clarke tells us about the arrival of digital revolution, decades ahead of his time. This film is an invitation to travel, and a crepuscular form of poetry to be experienced immersively.
One winter, a ravenous ogre terrorizes the land of King Balthasar. Meanwhile, a blizzard is brewing in Léon’s heart. Braving the cold, this adopted bear cub runs away from home. Léon has many an adventure during his travels. He befriends a hedgehog and an elephant, confronts an ogre, and sets Princess Molly Gingerbread free. His courage and integrity eventually lead him back to his family. In the end, the cub earns everybody’s respect.
