Man from Rainbow Valley

Four talented alien musicians are kidnapped by a record producer who disguises them as humans. Shep, a space pilot in love with bass player Stella, follows them to Earth. Reprogrammed to forget their real identities and renamed The Crescendolls, the group quickly becomes a huge success playing soulless corporate pop. At a concert, Shep manages to free all the musicians except Stella, and the band sets out to rediscover who they really are — and to rescue Stella.

Two championship rodeo partners travel to New York to find their missing friend, Nacho Salazar who went missing there.

A Treasury Department engraver is being held captive by a counterfeiting gang that wants him to make counterfeit plates for them. A lawman is sent to rescue him.

A former champion rodeo rider is reduced to using his saddle skills to promote a breakfast cereal in a gaudy Las Vegas show. When he's asked to perform with a $12 million horse, he discovers it is being doped to remain docile. He flees into the desert astride the beast in an act of defiance. A story-hungry female reporter gives chase.

CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.

Ben (Glenn Ford) and Marion (Henry Fonda) are two cowboys who make a meager living breaking wild horses. Their frequent employer Jim (Chill Wills), who always gets the better of them, talks them into taking a nondescript horse in lieu of some of their wages. Ben finds that the horse is un-rideable, he comes up with the idea of taking it to a rodeo and betting other cowhands they cannot ride it.

Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud's nephew Lon admires Hud's cheating ways, though he soon becomes too aware of Hud's reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He's a cheat, but, he explains, "I always say the law was meant to be interpreted in a lenient manner."

Two punks from the big city, traveling across the country in a Volkswagen bug, embrace the western ethos when they must take revenge against a group of rednecks for killing their friend in this lighthearted road movie. Along the way, they enlist the help of a young woman who runs a wrecking service.

Dear Rodeo: The Cody Johnson Story, a brand-new cinematic feature-length documentary, is the much bigger picture, recounting Johnson’s real-life journey from the dusty rodeo arenas of rural Texas to some of the biggest musical stages in America. Every emotion Johnson felt over the past 20 years – whether he was standing in the back of the chute at the rodeo or singing about it in front of 75,000 fans – is captured vividly in this big screen experience, with all the highs and lows that come from the dreams you cling to and the dreams you ultimately let go of. Featuring interviews with Reba McEntire, Taya Kyle (the widow of “American Sniper” Chris Kyle), and more, this evocative and celebratory film is a love letter to everyone who has had to abandon a dream in order to find true purpose.

A singing cowboy and his sidekick encounter misunderstandings and rodeo havoc as they try and save a man and daughter from con men.

During a shootout in a saloon, Sheriff Hunt injures a suspicious stranger. The doctor's assistant, wife of the local foreman, tends to him in prison. That night, the town is attacked and they both disappear—only the arrow of a cannibal tribe is found. Hunt and a few of his men go in search of the prisoner and the foreman's wife.

This Columbia western starring Charles Starrett finds Steve Randall (Charles Starrett) forming a radio show with Jimmy Wakely (Jimmy Wakely) and his Saddle Pals, and are in town for a rodeo. Reporter Connie Pearson (Constance Worth) persuades them to visit Marty Jones (Elvin Fields), a fatherless boy, who has been sent to a boy's home after stealing Steve's wallet, ran by Tom Goodwin (Forrest Taylor.) Marty tells Steve that the home is a phony and is a front for cattle rustlers. Steve passes the information on to Connie, who doesn't believe him, so he and Jimmy wire the ranch for sound. They are caught and Goodwin turns them over to Sheriff Barnes (Edmund Cobb), and then plans to skip the country