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A funny, cruel exploration of the male psyche, Enter Achilles is set in a typical British pub, a shabby, nicotine-stained boozer. Pop songs tumble out of the jukebox, there is football on the TV, and the eight men lark around, pint glasses in hand. But their blokish fun is balanced on a knife-edge of tension, for beneath the mateyness lurks a disturbing undercurrent of paranoia and insecurity, where weakness is brutally exploited and violence covers up vulnerability.

In pre-revolution Cuba, Katey Miller is about to defy everyone's expectations. Instead of a parent-approved suitor, Katey is drawn to the sexy waiter, Javier, who spends his nights dancing in Havana's nightclubs. As she secretly learns to dance with Javier, she learns the meanings of love, sensuality and independence.

On a summer day in the 1950s, a native girl watches the countryside go by from the backseat of a car. A woman at her kitchen table sings a lullaby in her Cree language. When the girl arrives at her destination, she undergoes a transformation that will turn the woman’s gentle voice into a howl of anger and pain.

Dia is a divorced mom living in New York and must go back to India after she receives news that her guru is on his death bed. When she arrives she finds he is gone and has left her the responsibility of saving and reviving the Ajanta Theater where she used to dance. The problem is that the political officers want it torn down and turned into a shopping mall. The storyline follows Dia and her challenge to stand up for what she believes in and fight the cause to the end, while trying to win back the love and support of the people of the town whom she walked out on ten years prior.