Sherd

Sampaloc Lake - the most prominent of the seven lakes of San Pablo City has provided shelter, employment and inspiration to its immediate community for countless decades. In return, the natural resource suffered from indiscriminate use of the residents themselves and the consequences of rapid urbanization. Recently, the local government have implemented a clearing of all residential structures within the legal easement of the dying lake to pave the way for a tourism master plan that endeavors to balance revenue and environmental protection. In the eve of the clearing operations, film maker Dennis Empalmado documented the final musings of the residents, advocates, and artists whose lives revolved around the 99 hectare crater lake.

Meet Duewand Collier Jr.-Male, 68 years old, American Citizen, a child conceived in the backdrop of the Philippines-American Mutual Defense Treaty, born and raised with Catholic guilt. He has made peace with his past and now tells his story-a story of love.

Pinoi Rock & Rhythm sheds the spotlight on four obscure yet significant figures in contemporary Philippine Popular Culture. Rebel Disc Jockey Dante "Howlin" Dave David, Stills Photographer and former stuntman Mr. Johnny Albia, Elvis Presley devotee Mr. Chito Bertol and Pinoy Rock guitar icon Mr. Jun Lopito. The documentary unfolds lighthearted, candid and sometimes outrageous introspection from the four individuals on the ups and downbeats of their respective careers.

Documentary about the history of Philippine cinema.

This Bed I Made presents the bed as a place of solace and agency beyond just a site of illness or isolation. Through the shared stories of two Filipino men living with HIV, the video explores modes of care, restoration, and abundance in the midst of pandemic pervasion.

A music documentary on MNL48, a franchise of the highly successful Japanese idol group, AKB48. The film looks into the girls as they perform within a music subculture that tries to get a foothold in a market of an overtly critical audience.

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

Jingle Chordbook Magazine, first published in 1970, promptly taught a generation of Filipinos to play the guitar. Its story also explores how a small independent publication survived the weight of its time – the dark Martial Law years – and how it inspired the Filipino youth to think for themselves and wield the guitar like a weapon. The documentary “Jingle Lang Ang Pahina” tells the story of Jingle, its ragtag crew, and its loyal fans in a rambling, multi-layered narrative told in different voices and perspectives by the writers, artists, fans, collectors, musicians, freaks.

Produced by the Army Pictorial Service, Signal Corps, with the cooperation of the Army Air Forces and the United States Navy, and released by Warner Bros. for the War Activities Committee shortly after the surrender of Japan. Follow General Douglas MacArthur and his men from their exile from the Philippines in early 1942, through the signing of the instrument of surrender on the USS Missouri on September 1, 1945. Preserved by the Academy Film Archive in 2013.

"Bagong Buhay" is a short experimental film that dispels the common belief that packing up and moving to a new place will magically improve one's quality of life. The film challenges this presumption by portraying two contrasting ways of life through objects and locations, encouraging viewers to think critically about the complexities of what makes a better life. In the Philippines, it's believed that relocating to a new area will bring about positive changes in one's existence. True satisfaction is a complex and multifaceted notion, and "Bagong Buhay" encourages us to ponder that relocating to a new place is not a surefire way to attain it.

Two Filipina victims of sexual abuse search the truth behind the finding of a renowned anthropologist: that merely a few generations ago, the Bontok Igorot lived in what seems an unthinkable utopia—a rape-less society.

JEEPNEY visualizes the richly diverse cultural and social climate of the Philippines through its most popular form of mass transportation: vividly decorated ex-WWII military jeeps. The film follows jeepney artists, drivers, and passengers, whose stories take place amidst nationwide protest against oil price hikes that pressure drivers to work overseas to earn a living, far from their homes for years at a time. Lavishly shot and cut to the rhythm of the streets, JEEPNEY provides an enticing vehicle through which the rippling effects of globalization can be felt.