Boom Festival - We Are One

Beautifully grotesque, politically confrontational and utterly unique: Karin Dreijer's Fever Ray project has come a long way since the immaculate icebox of their eponymous 2009 debut. It's been a thrilling journey. Mournful explorations of parental paranoia and Scandinavian solitude crumbled under the force of a newly emerging identity straining to devour societal interdictions and accepted gender frameworks with 2017's Plunge. Splintered facets of a stridently non-binary personality were explored with 2023's Radical Romantics along with a very human need for intimacy, its most vulnerable moments still as steely and unsettling as a shark circling its prey. Experience the idiosyncratic Fever Ray vision for this exclusive Passengers session beamed in from an abandoned factory in northern France.

A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany after settling there in 1973.

I am sitting in a room is a sound art piece by American composer and sound artist Alvin Lucier composed in 1969. The first performance of the work was in 1970 at the Guggenheim Museum in New York. In collaboration with his partner Mary Lucier. The piece features Lucier recording himself narrating a text, and then playing the tape recording back into the room while re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Due to the room's particular size and geometry, certain resonant frequencies are emphasized while others are attenuated. Eventually the words become unintelligible, replaced by the characteristic resonance of the room.

As a sci-fi obsessed woman living in near isolation, Beverly Glenn-Copeland wrote and self-released Keyboard Fantasies in Huntsville, Ontario back in 1986. Recorded in an Atari-powered home-studio, the cassette featured seven tracks of a curious folk-electronica hybrid, a sound realized far before its time. Three decades on, the musician – now Glenn Copeland – began to receive emails from people across the world, thanking him for the music they’d recently discovered.

On December 7th 1963, in the afternoon The Beatles played a concert at the Empire Theatre in Liverpool which was filmed for the BBC

Live@Home is the first web music program created to allow the world's best artists to come and play their songs in a beautiful house. These intimate performances are recorded without an audience, aiming to make artists feel at home. Once every three months, Live@Home moves to an exceptional location for other intimate performances. Ellie Goulding is an English singer-songwriter, instrumentalist whose music finds the balance between electro-pop and indie folk. She released Lights -- a sparkling debut album in 2010. In 2012, she returned with the album "Halcyon", electro-pop-infused, which is now a worldwide success. She wins British Female Artist prize at The Brit Awards 2014. Tracklist: Burn (Live); Anything Could Happen (Live); I Need Your Love (Live); Lights (Live); How Long Will I Love You (Live)

Based on the 1973 rock opera album of the same name by The Who, this is the story of 60s teenager Jimmy. At work he slaves in a dead-end job. While after, he shops for tailored suits and rides his scooter as part of the London Mod scene.

Vulfpeck return to play Madison Square Garden after a six year break - sold out.

An idea launched like a dream: filming a concert by Fatma Said in front of the pyramids becomes a unique musical and televised event. The dream takes shape, and the Egyptian soprano gives an unforgettable concert at the foot of her country's most iconic monuments.

The intersecting stories of twenty-four characters—from country star to wannabe to reporter to waitress—and their connection through the music business in Nashville, Tennessee.

Live studio performance of Toska’s first release, Ode To The Author - recorded at Brighton Electric Studios Filmed & Edited by Dark Fable Media. Mixed & Mastered by Rabea Massaad and Dave Hollingworth.