The Edge of Seventeen

A rich brat fakes her own kidnapping, but in the process ends up locked in the trunk of a car that gets stolen.

A wealthy student with too much fashion sense, her equally rich friends, and her rival/superior from the school paper work together to solve the case when their teacher goes missing.

A widower and his daughter witness the retirement of a colleague of his and the closing of her department at her university.

A recently broken up couple spends their last evening together: for one of the girls this is the last chance to revive their relationship, for the other – to show the true meaning of it and why it should have ended.

The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),

A troubled nanny teaches a bullied ten-year-old that freedom to move forward is made possible by shedding the ugly skin of our past.

Mother secretly smokes a cigarette in the restroom and feeling sorry for herself because she has spent all her life taking care of her children, but now she still need to take care of her grandson who doesn’t have his mother. To support his son, elder brother works in a subway station, selling subway passes and tickets…

Following political upheaval, traditionally poor countries have stopped exporting raw materials. The Western world is entering an economic crisis, which is rapidly spreading to Norway. Unemployment rises sharply, and it becomes more difficult to obtain food. The government does not officially acknowledge the crisis, but fear spreads among the population. Demonstrations between the population and the police are now a daily occurrence. Thomas and Vera are also unemployed. The only way out of their predicament is to move out of the city and rent an abandoned farm. The sale of food is banned. Military forces arrive to confiscate what little they have. Later, the city population follows, traveling to the countryside in panic to secure something to eat.

Hired to helm an Americanized take on a British play, director Lloyd Fellowes does his best to control an eccentric group of stage actors. With a star actress quickly passing her prime, a male lead with no confidence, and a bit actor that's rarely sober, chaos ensues in the lead up to a Broadway premiere.

Recent graduate Repa Utriainen explores the world.

A couple inherit a hotel with no guests until their son's pop group turns things around.

After the death of his parents, teenager Max discovers in himself an unusual ability to move into other people, penetrating into their minds. The viewer gets acquainted with the grown-up hero, behind whom there are already several journeys into the depths of the human mind, and one of them, the most pleasant for Max, is connected with the beautiful artist Vera. With her help, Max comprehends the true beauty of nature and the harmonious integrity of the world, and also shares his own unique knowledge with the girl. Together, the heroes have to go through a fascinating path, the routes of which lie far beyond the usual perception of reality.