Pimeänpirtin hävitys

When a gifted chef loses his sharp sense of taste, he turns to an old friend who helps him rediscover traditional flavors through an old recipe book.

An unemployed young man in the second half of the 1930s, he tries various ways of making a living and, under the influence of a group of communist youth, eventually goes to Spain as an inter-brigadista...

A young woman struggles to defend her Sámi heritage in a world where xenophobia is on the rise, climate change is threatening reindeer herding, and young people choose suicide in the face of collective desperation.

During the Manchu (Qing) Dynasty, a mainland Chinese patriot becomes a one-man resistance force to defend a timber works against the invading Japanese army.

Adaptation of Eli Brown's novel of the same name.

The plot revolves around two completely different and distant women — a nurse and a fashion model — who are haunted by their own spectre after going through the same experience: they can no longer see their reflections in the mirror.

A famous photographer, Jo Ellen Hathaway, has been being stalked for quite some time. She returns to the island she grew up on in an effort to get away from the stalker and get some well-needed relaxation time. On the island, she meets up with old friends and boyfriends and works on relationships with her family. However, she can't shake the feeling that she's still being watched.

Isabelle, Parisian artist, divorced mother, is looking for love, true love, at last.

Ricky is a young man who takes care of his sick mother. His father hovers at the edge of the picture, so Ricky provides for himself and his mom through prostitution, running errands, and acting as a caregiver for a blind man. Through the course of the film, Ricky befriends Janey, a young woman he finds beaten by her ex-boyfriend, and Trenn, a mysterious young man in trouble with the law. The three of them navigate a dark and confusing world. It uses many of the actors who have come to constitute the Dar A Luz company, including Tony Torn, Tom Fitzpatrick, Juliana Francis, and Tom Pearl. It will disappoint those who approach it looking for a film analogue of the “faster and louder” aesthetic that critics have used to characterize much of Abdoh’s stage work. The Blind Owl does use a variety of techniques reminiscent of his stage direction, giving it an unusual theatricality.