Documentary
Sleaford Mods - Invisible Britain shows the most exciting and uncompromising British band in years sticking two fingers up to the zeitgeist and articulating the rage and desperation of those without a voice in austerity Britain. The film follows Sleaford Mods on a tour of the UK…
Narrator/Himself
Himself
Himself
Himself
Herself (uncredited)
Heaven Adores You is an intimate, meditative inquiry into the life and music of Elliott Smith. By threading the music of Elliott Smith through the dense, yet often isolating landscapes of the three major cities he lived in -- Portland, New York City, Los Angeles -- Heaven Adores You presents a visual journey and an earnest review of the singer's prolific songwriting and the impact it continues to have on fans, friends, and fellow musicians.
Taking Liberties Since 1997is a documentary film about the erosion of civil liberties in the United Kingdom and increase of surveillance under the government of Tony Blair. It was released in the UK on 8th June 2007. The director, Chris Atkins, said on 1 May that he wanted to expose "the Orwellian state" that now threatened Britain as a result of Mr Blair's policies.
Bullet in a Bible documents one of the two biggest shows that Green Day have performed in their career. They played in front of a crowd of over 130,000 people at the Milton Keynes National Bowl in United Kingdom on June 18–19, 2005. The band was supported by Jimmy Eat World, Taking Back Sunday, and Hard-Fi during their American Idiot world tour. Fourteen of the twenty songs performed at these shows were included on the disc; missing out "Jaded", "Knowledge", "She", "Maria", "Homecoming" and "We Are The Champions". Bullet in a Bible was released as a double-LP set on November 10, 2009, as part of the band's 2009 vinyl re-release campaign.
In 1991 three teen girls called Midi, Maxiand Efti became celebrities over night and the suburb Akalla was suddenly known all over Sweden. Fifteen years later two old friends try to make a film about the phenomenon. But Midi, Maxi and Efti no longer have contact, and they are not at all interested in talking about the past. A melancholically journey to the past by two friends who have a hard time letting go. "I like it like it is and I like it like it was but I'm not so sure any more any any more..." From the song "Bad Bad Boys" by Midi, Maxi & Efti.
A stunningly-photographed, thought-provoking road trip into the heart of the poor white American South. Singer Jim White takes his 1970 Chevy Impala through a gritty terrain of churches, prisons, truckstops, biker bars and coalmines. Along the way are roadside encounters with present-day musical mavericks the Handsome Family, David Johansen, David Eugene Edwards of 16 Horsepower and old-time banjo player Lee Sexton, and grisly stories from the cult Southern novelist Harry Crews.
The documentary is titled after Arkadaş Z. Özger’s poem “Hello My Dear” which had caused much controversy in the period it was first published. Considered to be in defiance of heteronormativity, the said poem includes references to the poet’s personality, his family, his relationship to the society, and his “unexpected” death, which came three years after its publication. Today, 50 years after it was written, the documentary follows these same lines in the poem utilising cinematic elements. The documentary also rediscovers the poetics; reaches out to the family, the comrades, the friendships, departing from the official historical accounts, cognizant of his experience of otherness, in pursuit of the “lost” portrait of Arkadaş Z. Özger.
Amir, shot during the height of the Afghan civil war in the 1980s, investigates and portrays the life of Afghan refugees living in and around the city of Peshawar in northern Pakistan through the experiences of the musician Amir. The aspirations of Afghan refugees are expressed through their political songs dealing with the civil war in Afghanistan, with exile, with Afghan nationalism and with the Islamic revolution. In highly charged and tragic circumstances, music can be used in very direct ways, both to promote solidarity and as an agent of catharsis.
