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Shouya Ishida starts bullying the new girl in class, Shouko Nishimiya, because she is deaf. But as the teasing continues, the rest of the class starts to turn on Shouya for his lack of compassion. When they leave elementary school, Shouko and Shouya do not speak to each other again... until an older, wiser Shouya, tormented by his past behaviour, decides he must see Shouko once more. He wants to atone for his sins, but is it already too late...?
"TALES FROM STRANGERVILLE" is a 2020 machinima created in The Sims 4 and directed by Alvin Soprano and Harley Coleman. Serving as a sequel to the creator's first machinima, "SOMETHING STRANGE IN STRANGETOWN" (2007), the film continues the story of an unnamed protagonist who was abducted by a mysterious light. Now named Lavinia, she is dropped into the technologically advanced desert town of StrangerVille with no memory of what transpired. The film follows Lavinia as she teams up with George Cahill and Erwin Pries to investigate the source of a mysterious, disembodied voice only she can hear. Their search for answers leads them to a classified government lab at the heart of the town’s strange occurrences, where they must confront the truth behind the town’s bizarre infection and Lavinia’s own past.
How can the flames of desire be rekindled after 25 years of married life? Izabela Plucinska’s erotic comedy, made entirely through the use of modelling clay, delves into the private lives of Alice and Henry, a couple in their fifties numbed by routine, who are holed up in a rococo-kitsch hotel room…
The ancient Greeks divided the night into four sections; the last watch before morning was called the fourth watch. In the hours before dawn, an endless succession of rooms is inhabited by silent film figures occupying the flickering space in a midcentury house made of printed tin. Their presence is at once inevitable and uncanny. A boy turns his head in dread, a woman’s eyes look askance, a sleepwalker reaches into a cabinet that dissolves with her touch, and hands write letters behind ephemeral windows. The rooms reveal themselves and fill with impossible, shadowed light. It is not clear who is watching and who is trespassing in this nocturnal drama of lost souls.
A film miniature set to classical music, inspired by Georges Bizet's "Carmen" suite, orchestrated by Rodion Shchedrin, animated in loose matter (colored salt) directly under the camera by Aleksandra Korejwo. The music is fully synchronized with the image. The sounds of the music awaken Carmen from her sleep. Her silhouette is illuminated by a nearby bonfire. In this expressive dance, elements of Andalusian gypsy folklore (flamenco) choreographically intertwine with the passionate symbolism of Carmen's gestures. It's the second film in a trilogy.
A film miniature set to classical music, inspired by Georges Bizet's "Carmen" suite, orchestrated by Rodion Shchedrin, animated in loose matter (colored salts) directly under the camera by Aleksandra Korejwo. The music is fully synchronized with the image. The film (first in a trilogy) tells the story of a gypsy caravan and Carmen's dreams of ideal love.
