TV Movie / Action / Crime / Drama
"Chop Chop" Frankie Carbone has made a career out of stealing cars for the mob in Chicago. An attempted assassination by a mob boss goes badly and Frankie retaliates, only to wind up in the hands of the Feds. Frankie agrees to testify against the mobsters and his life is…


Frank Carbone / Howard Akers

Leigh Kirkindall

Bootsie Cavander

Denny Kirkindall

Sid

Pasquale 'Patsy' Dilepsi
Joseph Pagnozzi
Chong-Sung

Marshal Donald Powers

Marshal Chuck Sturdevant

Marjorie Watts

Teddy

Tally Atwater has a dream: to be a prime-time network newscaster. She pursues this dream with nothing but ambition, raw talent and a homemade demo tape. Warren Justice is a brilliant, hard edged, veteran newsman. He sees Tally has talent and becomes her mentor. Tally’s career takes a meteoric rise and she and Warren fall in love. The romance that results is as intense and revealing as television news itself. Yet, each breaking story, every videotaped crisis that brings them together, also threatens to drive them apart...

Mitzi Gaynor in a song and dance hour with an all-male, star-studded ensemble featuring her main guests Michael Landon (Little House on the Prairie) and Jack Albertson (Chico and the Man), plus 28 celebrities as her "Million Dollar Chorus." Songs performed include: "I Got the Music in Me," "The Most Beautiful Guy in the World," and "You Are the Sunshine of My Life."

Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit of diversion from their collaborations since it’s a series of interwoven videos inspired by the Gainsbourgalbum. For '71 it’s a novel concept to bring visual life to an LP, but even more surprising are the short film’s amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourg’s songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parker’s buzzing guitar accompanies and wiggles around Gainsbourg’s resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.