Ghostland: The View of the Ju'Hoansi

A unique 'direct cinema' feature length documentary (no narration or interviews) originally filmed in the Spring of 1970 and concluded during the Summer of 2017 (footage added, restored, and re-edited). A day in the life of an inner-city Harlem elementary school. In 2018 filmmaker Phil Gries reunited with seven of his former Harlem elementary students whom he hadn't seen in 50 years.

An Aboriginal Australian and Native American documentary narrated by award-winning actor Jack Thompson, One Heart-One Spirit tells the story of Kenneth Little Hawk, an elder Micmac/Mohawk performing artist, meeting the oldest surviving culture on the planet: the 40,000 year old Yolngu nation located in northern Australia.

A race is on to save Gabon’s Moukalaba-Doudou National Park and the silverback gorillas that call it home. Once, this area was protected by a thriving oil industry, but now, big companies are moving out and the logging industry is poised to move in. Ecotourism could be the only way to prevent the trees of this rainforest from coming down, but a team of conservationists needs to make the gorillas of Gabon tolerant of humans first. Follow them as they get up-close with the gorillas, study their moves, and journey to war-torn Central African Republic to learn the secrets of successful gorilla habituation.

Decolonising the Curatorial Process is a forty-minute documentary which explores decolonial strategies in an academic and curatorial context. The film features academics, activists and practitioners, and contains case studies of institutions that are deploying critical, self-reflective forms of curatorial practice. The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. The Pitt Rivers museum in Oxford, who are working with Maasai activists from Kenya and Tanzania on a project centred on repatriating the museum's collection of sacred Maasai artefacts, also features in the film.

Short Belgian documentary on volcanos in the former Belgian Congo

An Austrian director followed five successful African music and dance artists with his camera and followed their lives for a year. The artists, from villages in Ghana, Gambia and Congo, were the subjects of Africa! Africa! touring across Europe, but they have unbreakable roots to their homeland and their families. Schmiderer lovingly portrays his heroes, who tell their stories about themselves, their art and what it means to them to be African with captivating honesty. The interviews are interwoven with dance scenes and colourful vignettes set to authentic music.

Peter Westerveld, artist and visionary, doesn’t want institutions to resolve the problems linked to earth’s problems. Growing up in Africa, he witnessed the advance of the desert and dedicated himself to finding solutions for the ongoing erosion and desertification of the land. The film follows Peter and the NGO working with him to realise his project; to build contour trenches that capture and store rain water under the surface and replenish the desert land.

Hereros Angola is a documentary film on the ethnic group of the same name. Originated from Bantu peoples, they maintain their millennial culture which gains new senses through the camera.

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.

In a fascinating geopolitical drama, Danish filmmaker Mik-Meyer closely follows Ravalomanana as he attempts to return from exile in South Africa to Madagascar, under the threat of arrest and bodily harm.