
Self

Self
A vibrant kaleidoscopic tribute to the guitar that meshes dance, mime, visual art, and virtuoso performances to create a spectacular yet intimate celebration of the instrument. For one exciting week the city of Toronto plays host to the International Guitar Festival. The streets echo with the sounds of the instrument as the great masters from every tradition gather to play for each other -- John Williams from England, Leo Brouwer from Cuba (classical), Turibio Santos from Brazil (folk), Vladimir Mikulka from Czechoslovakia (avant-garde), Rik Emmett and Kim Mitchell from Canada, Steve Morse from the USA (rock).

The young American Pablo Menéndez came to Cuba to study Music at the National School of Art. Here he formed a family and became one more Cuban. Member of the Sound Experimentation Group of ICAIC and promoter of the teaching of the electric guitar in Cuba, he is, together with his group Mezcla, one of our most original musicians.

Delve into the musical influences of iconic rockers Led Zeppelin, whose epic brand of arena rock grew out of a deep love of the blues, the skiffle and folk rock. Music historians and authors join producers Joe Boyd and Larry Cohn, as well as performers John Renbourn, Chas McDevitt and Davey Graham, in their analysis of the band's musical roots. An enthralling section also explores Zeppelin's fascination with the occult.
Martha Masters, winner of the Guitar Foundation of America's 2000 competition, plays an array of works by composers from around the world in an intimate studio session, preceding each piece with a personal introduction. The program includes a suite by Puerto Rican composer Ernesto Cordero, a pair of sonatas by Italian composer Domenico Scarlatti, two selections by Macedonian composer Miroslav Tadic and a piece by American composer Bryan Johanson.