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On the tiny island of Martha's Vineyard, where presidents and celebrities vacation, trophy homes threaten to destroy the islands unique character. Twelve years in the making, One Big Home follows one carpenters journey to understand the trend toward giant houses. When he feels complicit in wrecking the place he calls home, he takes off his tool belt and picks up a camera.
A film essay contrasting the modern metropolis with its "golden age" from 1830-1930, with the participation of some of New York's leading political and cultural figures. Made at a time when the city was experiencing unprecedented real estate development on the one hand and unforeseen displacement of population and deterioration on the other. Empire City is the story of two New Yorks. The film explores the precarious coexistence of the service-based midtown Manhattan corporate headquarters with the peripheral New York of undereducated minorities living in increasing alienation.
Kathy's family left on a Saturday morning in 1965. The rumble of bulldozers echoed through the neighborhood, and her block was empty. Federally-funded urban renewal had arrived in Charlottesville, scattering dozens of families like Kathy's. The once-vibrant African American community, built by formerly enslaved men and women who had secured a long-denied piece of the American dream, disappeared.
Systemic and structural racism implemented by the city of Boston over the years has led to a dramatic stripping of generational wealth for Black residents, so much so that the average net worth of Black Americans in Boston is now only eight dollars. The racist grading process of ‘redlining’ primarily black neighborhoods, combined with the displacing effect of various ‘urban renewal’ projects, set the template for the wider scale gentrification seen today that is pricing black residents of Boston out of their communities. On top of that, the mass incarceration of Black Bostonians has also led to a further disruption of Black communities. The combined effect of these state sanctioned actions has led to the erasure of Black Americans in Boston.
Denim' is a poetic short film by writer, poet and performer Siana Bangura, exploring gentrification and social cleansing in South East London. Through a personal trip down memory lane, visiting the places that moulded her, we learn what happens when the city changes and leaves those who built it behind. Travelling through Bermondsey, Rotherhithe, Elephant & Castle, Walworth Road, Peckham, Brixton and of course Shoreditch, 'Denim' is both a personal tale and a wider social commentary.
Caged. Invisible. Shamed. Trapped. These words mark the tenants, clerks and even the owners of Chicago's last remaining Singe Room Occupancy (SRO) hotels. These small spaces are home for many at the bottom of Chicago's housing ladder. Cloaked in darkness and secrecy, these hotels are often maligned as drug dens and havens for prostitution but the people who live, work and own these hotels have never fully shared their stories. Caged Men is a feature-length documentary which examines the disquieting stories of near-homeless Americans living on the margins and their invisibility in a largely indifferent and, at times, hostile community. It attempts to lend a voice to SRO residents, clerks, owners and to the hotels themselves.
Once thriving, a dead mall in upstate New York is now home to a ragtag flea market, living proof that the American Dream is in perpetual decay. Blending vérité with a stylized wit, this heartbreaking portrait raises questions about our disposable culture through the unfiltered lives of its eccentric community.
Cranes and Voices explores the evocative power of sound through the experiences of people who hear voices and a collective of sound investigators, tenants documenting their neighborhood. By bringing together listening experiences, housing, and creative practices, the film approaches sound as an ambivalent force, questioning our ability to listen—to the city, to others, and to ourselves.
