A brightening life

Puppets made of pliable material, impart the following message : your companion should be a worthier person than yourself so that he can impart knowledge and virtue to you.

The oppressing life of a father and his son with a tragic ending and what can happen if a dream suddenly comes true.

The screen is divided again and again until the picture arranged in ever changing strips bursts into whirring dynamic.

Mariana must sacrifice her dog Frida after violently beating it for having destroyed her recently deceased son's toys. The pet's death helps Mariana accept and overcome the loss of her son.

Carlos, a man haunted by his past, plunges into an existential crisis that leads him to day-to-day apathy due to the loss of a child, an act that condemns a declining marriage and continuous desolation.

Crossing hills and streams, a muleteer determined to find the murderer of his father, will discover that in revenge the weakest can be the fiercest.

Amelia arrives at the hospital, her father is dying. Her frustration and pain keep her on her feet.

At her young age, Juana has two great responsibilities: preventing her older sister from fleeing the house and passing on the secret of making bricks to her younger sister.

In 1929, during the Cristiada, Ranulfo, captain of the Cristero army, kept a federal prisoner, whom he tortured and threatened. At another time, Eugenio, captain of the federal army, rebukes and mocks the faith of a group of Cristeros peasants who are weak but not defenseless.

A greatest hits DVD of her singles whilst signed to EMI Records as a solo artist. Featuring the videos for Light of My Life, In Walked Love, Naked, Undivided Love, One Kiss from Heaven, Arms Around the World, Let's Go Round Again, All That Matters, 2 Faced, Beautiful Inside and Stuck in the Middle with You.

Adapted from "Vehi-Ciosane ou Blanche-Genèse," this short drama portrays a Senegalese village thrown into crisis by the pregnancy of a young girl, revealing deeper patterns of moral and social breakdown.

Accepting the potentialities of the medium to manipulate both time and space, Broughton brings past and present head-on as he regards with adult feelings his childhood family and friends. Grown-ups romp like children, and by their magnified infantilism playfully underscore such basic traits as sadism, sensuality, arid egocentricity. (Melbourne International Film Festival)