
Holly Woodlawn
Herself
Holly Woodlawn is an aimless, lovelorn beauty in this seventies silent short.

Herself

Pana is a popular world from Venezuelan slang that means many things: as a noun it refers to a friend, a good person; as an adjective, it’s a positive quality, someone nice, someone friendly and enjoyable. A coming-of-age story, the short My Pana is also a tale of immigration and exile, a portrait of a teenager adapting to a new society with the few tools he knows to survive: his youth, his body and, ultimately, his own resilience. Through the point of view of a teenager we’ll understand the hardships of million of Venezuelans abroad and the consequences of corruption, exile and the fractured soul of a person who was pushed to leave his true life to adapt to a hostile new place.

In the midst of political upheaval in Brazil, Travis Mathews directs this startling and moving film of the intersection between class, privilege and sex. A man lives a lonely, exquisite lifestyle in his large, empty apartment. He hears a noise, of a man stumbling through the window in his bedroom. The man has a gun, and he shakes while he holds it. What follows is a tender, complex exploration of lust and desire between two very talented performers and the faultless Direction of Mathews.

Follows the adventures and love lives of high school students. Fuse is a gentle and sensitive boy who is heartbroken because of his girlfriend who cheated on him, so he tries to get over her by getting drunk with his friends at a party. There he meets his friend Tee and ends up sleeping with him that night. How is he going to cope with his new feelings for another boy, and just how many boys who struggle with the same feelings are there at his school?