Au pays des lits clos

The tale of an individualist proletarian in a time marked by the rise of mass political movements. In early 20th-century Italy, illiterate sailor Martin Eden seeks fame as a writer while torn between the love of a bourgeois girl and allegiance to his social class.

A man with an umbrella emerges from his grave to be momentarily reunited with his lost loved one.

An entire city has lost its voice. Mr. TV, the owner of the city's only television channel, is carrying out a sinister plan to control all of the city's inhabitants.

1952 reconstruction of Gelabert’s Café Brawl (1897). This remake is the only surviving version, recreating the original lost film’s café fight scene.

A constant motion from a distance all the way into an elderly ladies eye.

A hobo takes revenge to a miller who didn't give him something to eat.

Daisy Baroness Eggloffsburg, a ball of energy, is a spoiled and rather lively, cheerful wild child who is always in the mood for pranks. Her uncle Egon, a stern old gentleman, thinks she has had enough of her foolishness and boozy ideas and needs a man to tell her off and tame Daisy. Harry Spring, the young sportsman hired for the job, is supposed to get both the girl and Baron Eggloffsburg, the owner of the racing stable, back on their feet. But Daisy doesn't give in so easily and now begins to give the young gallant a good grooming.

German silent film

Harry Peltzer, who is passionate about his job as a firefighter, and his superior, fire chief Paul Körner, are the best of friends. This changes the day they both meet Nelly, a young, blonde cashier at a vending machine buffet, on whom both men immediately set their eyes. As Harry has a much better chance with Nelly, Paul's friendship with him soon turns into bitter antagonism, if not outright enmity.

This film begins with the invocation of 'almighty god' at a river where several people are gathered. The child god Krishna rises out of the water astride the demon snake Kaliya. Then we see Yashoda as she rocks the sleeping Krishna's crib and imagines the god as Gopala. The next scene shows Kamsa fantasizing about Krishna threateningly duplicated many times around him. Kamsa then imagines himself dead as his severed head rises up and descends again. People of all castes pay obeisance to the deity with the title-card: 'may this humble offering be accepted by the Lord'.