Drama
Pathe begat the Son of Man. The actual title (minus an accent) is La Vie et la Passion de Notre Seigneur Jesus Christ. It is an April 1914 remake of Pathe's 1902-05 version of the same name, and was shot primarily in the studio rather than on location.
Virgin Mary
Joseph

The story of Elliot Tiber and his family, who inadvertently played a pivotal role in making the famed Woodstock Music and Arts Festival into the happening that it was. When Elliot hears that a neighboring town has pulled the permit on a hippie music festival, he calls the producers thinking he could drum up some much-needed business for his parents' run-down motel. Three weeks later, half a million people are on their way to his neighbor’s farm in White Lake, New York, and Elliot finds himself swept up in a generation-defining experience that would change his life–and American culture–forever.

In the occupied Netherlands near the end of WWII, a young teenager, Jeroen Boman (Maarten Smit) is sent to the Dutch countryside to avoid the war in Amsterdam. While living with his adopted family, Jeroen meets and becomes friends with a Canadian soldier named Walt Cook, who is stationed at the same town he is staying at. Joroen and Walt spend a lot of time playing around and eventually a romantic relationship develops between them. The boy’s sexual curiosity leads him to have a sexual experience with Walt, an encounter that is shown with some vague detail but without actually showing any nudity, even though sexual intimacy between the two of them is implied. Overall, the movie handles this difficult subject with an elegant style and feeling, without having the adult-child relationship overwhelm the viewer and thus allowing the movie to be seen as just a wartime relationship between two people that marks an important time in a young boy’s life.

A biographical film about the traveler Emil Holub, conceived as an illustrative story of an exceptional man, who, however, encounters the disinterest and rejection of the domestic Czech bourgeoisie. To this is added an international perspective - Holub encounters British expansionism in Africa and indignantly rejects colonial methods, trying to help black people.