
Jackie Washington

Edward Whatsett St. John

Antandra Washington (Jackie's Daughter)

Shaniqua Summers Wells (Jackie's Daughter)

Nurse Ethyl Washington Rue Owens (Jackie's Sister)

Wilson Wells (Jackie's Grandson)

Marvin Pritz (Jackie's Former Manager)

Snookie Tate (Jackie's Childhood Friend)

Pammy Dunbar (Infomercial Host)

Perry (The Deaf Rehearsal Pianist)

Lola Molina (Jackie's Stalker)

Miss Krumes (Jackie's Play Mama)

Dives deep into the tragicomic world of the"towns-people" stand-ins working at Warp Station Edo, a popular shooting location for samurai dramas, through a piercing study of a 63-year-old extra. Utilizing mockumentary stylings, this ambitious film forms a compelling commentary on the aspirations that shape film production and the feelings that a simple, ho-hum life can evoke.

After the death of her father, Little Voice or LV becomes a virtual recluse, never going out and hardly ever saying a word. She just sits in her bedroom listening to her father's collection of old records of Shirley Bassey, Marilyn Monroe and various other famous female singers. But at night time, LV sings, imitating these great singers with surprising accuracy. One night she is overheard by one of her mother's boyfriends, who happens to be a talent agent. He manages to convince her that her talent is special and arranges for her to perform at the local night club, but several problems arise.

Akira, Takeshi, Yasu, and Shun are a gang of four close friends, all of whom were core members of their high-school ekiden team. Although they were stars back in those days, having slacked up their efforts subsequently, their daily life is lackluster now that the age of forty is just around the corner. They talk at a favorite local tavern just like they used to after Akira comes home giving up his dream to become an actor. Thinking back, they have never accomplished anything but ekiden, and they have unknowingly acquired a tendency to run away from problems in life in general. The phrase they cannot help muttering to themselves is how brilliant they were in those days… Feeling dispirited, they think of participating in the Shimanto Dragon Ride. A challenge for the four men in their late thirties begins…

Twelve skits in six minutes: the first one and the final three are about sex, in between are sketches of blood, death, murder, truck crashes, a tough day on the toilet, a slip on a banana peel, and an omnivorous Elvis. In several vignettes, Plympton draws on the essentially comic image of men wearing jackets and ties in a world gone awry. Women, who don't appear all that often, cheerfully participate in the sex and don't hang around for the violence.