Roadkill

The dramatised story of the Irish civil rights protest march on January 30 1972 which ended in a massacre by British troops.

Mike Sullivan works as a hit man for crime boss John Rooney. Sullivan views Rooney as a father figure, however after his son is witness to a killing, Mike Sullivan finds himself on the run in attempt to save the life of his son and at the same time looking for revenge on those who wronged him.

In Las Vegas, a go-go dancer and a call girl are terrorized by a giant evil rabbit.

Mateo, son of a notorious mob lord of the city, has been dumped by his wife who took his son away. He doesn't resist the shame and hires the most ruthless hit-man available to kill them. He hires Toro Loco, a cold, eccentric assassin with will bring the hell to this family, always under his own twisted rules.

In 1973, when Frank Bledsoe and his 18-year-old niece Beth take a road trip from Manhattan to Creekville, South Carolina for the family patriarch's funeral, they're unexpectedly joined by Frank's lover Walid.

A recently released prisoner reunites his criminal colleagues to pull off one last heist.

Northwest Mounted Policeman faces many obstacles in attempting to apprehend a murderer. He miraculously escapes ambush and learns of the dying murderer's name. After a thrilling fight he secures a confession from his man and saves the girl from disaster.

Lisa is a young, Christian woman. Bobby, her boyfriend, however, is a street hoodlum. Lisa prays constantly that Bobby will accept God in his life. She soon gets what she wants, but discovers that Bobby's conversion means that she has to get her life in order as well. As a result, she is forced to resolve not only her relationship with Bobby, but with everyone in her life.

When a marriage is threatened by a long excursion for work, domestic trouble is buffeted by family and friends.

Three mischievous employees of a bank in a small deserted town all make plans to rob it at the same time, however none of them knows about the others.

Pete is no stranger to success, delivering hit series as a musician in a rock group. When he parts ways with his band and produces his first solo LP, he learns for the first time what a flop means. He did not expect this. He is insecure and desperate, while Lena, his wife, accepts this low blow as a challenge. Jealously, Pete observes that Lena is becoming more and more independent and self-confident in her surroundings. At home there are arguments until everyone packs his bags. Alone with his longing and tenderness for Lena, Pete composes the "Bolero" on his white grand piano that calls her back.