1000 Hands of the Guru

In his new film, Erwin Wagenhofer is looking for the good and beautiful in this world.

The Laddakhis, high up in the Western Himalayas, have a strong connection to the psychic energies of the gods and demons through their belief in Tantric Buddhism. People in the valley say of the Geshe (a methaphysical professor) that he can fly if he wants to. But using magic is immoral for the Buddhist. Nevertheless, a young man seduces the woman of his desire with magical powers. In a breathtaking landscape under a crystal-clear blue sky, a life unfolds in harmony with the universe, carried by an ancient consciousness.

A view of the religious tensions between Muslims and Buddhist through the portrait of the Buddhist monk Ashin Wirathu, leader of anti-Muslim movement in Myanmar.

How do you reconcile a commitment to non-violence when faced with violence? Why do the poor often seem happier than the rich? Must a society lose its traditions in order to move into the future? These are some of the questions posed to His Holiness the Dalai Lama by filmmaker and explorer Rick Ray. Ray examines some of the fundamental questions of our time by weaving together observations from his own journeys throughout India and the Middle East, and the wisdom of an extraordinary spiritual leader. This is his story, as told and filmed by Rick Ray during a private visit to his monastery in Dharamsala, India over the course of several months. Also included is rare historical footage as well as footage supplied by individuals who at great personal risk, filmed with hidden cameras within Tibet.

A Zen priest in San Francisco and cookbook author use Zen Buddhism and cooking to relate to everyday life.

Explores the lives of seven Black Millennials – Atheist, Buddhist, Christians, Muslim, Ifa, and Spiritualist – and the challenges and discoveries with faith and spirituality.

The Dragon House portrays the confrontation between tradition and modernity which the Kingdom of Bhutan is currently experiencing. This is done by means of two Bhutanese characters: a young Buddhist monk, heir to the local tradition, and the first disc jockey to dare to play House and Techno music in the small Himalayan kingdom.

How do we live, knowing we are going to die? In search of answers, we probed the minds of atheists, Buddhists, Jews, Christians, physicians, philosophers, authors, academics, a legendary stand-up comic, and scores of random pedestrians.

Following in the footsteps of his father, Folco Felzani embarks on an epic journey on foot in search of Mustang, the last lost kingdom, in northern Nepal. The story of a king without a kingdom. The adventure of a son without a father.

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

An actuality film showing a Buddhist festival in Kyoto. The procession includes Buddhist monks, geishas, and others dressed coordinately to the Japanese tradition.