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Three people live in Doosan Apartment in Guro-dong. Me, mom, and my grandfather. Even though it has been 12 years since dad died, we are still living under the same roof. I thought it was because of the financial situation that we could not move out of grandfather’s house. But when I found out that mom already had enough money to get a house, I became confused. Why didn’t mom move out from the “x-world” when she could? From a marriage that didn’t work out well, to a father-in-law with a temper. Why has she been enduring it, unchanging, for all the time I had witnessed her life to become a woman against marriage? One day when my anxiousness was at its peak, grandfather suggested that we live separately. Mom, reluctant to leave Guro-dong that she’d been living in for 20 years and her marriage life, will she be able to find herself and move out well?
Project 1 _ Hong Hyung-sook The children who are enthusiastically painting and cutting a doll. What stories will be told at the Square? - Project 10 _ Kim Jeong-geun The janitorial worker from the Busan Subway Station, Kim Young-ja talks about how she hopes to see a clean world, just like how she cleans everywhere in the subway.
Someone constantly gains wealth and power from a community of race, of nation... Not only that, that someone tries to pass on that power and wealth to his descendants forever. Because of that, someone has to constantly maintain this community of race, of nation... Someone, therefore, caselessly recreates the prestigious values of this community, which exceeds the self... and, in the end, a forever self-reproducing circulating ring which comes from the lives and actions of those who have been brainwashed that they are part of this community from the womb...
August 2011, Seoul station was ‘reborn’ restoring the historical traces it once had. It was named as ‘Cultural Station 284’. To commemorate this very day, an opening exhibition was held, named as ‘COUNTDOWN’. However, among all the fine works of art alongside the exhibition, the best piece of art was not to be found. To be precise, that very piece of art was not available at that time. That work of art needed time to be established. After observing and speculating the abject moments of the restoration process, finally, it was completed.
Journey with the musicians of the Berlin Philharmonic and their conductor Sir Simon Rattle on a breakneck concert tour of six metropolises across Asia: Beijing, Seoul, Shanghai, Hong Kong, Taipei and Tokyo. Their artistic triumph onstage belies a dynamic and dramatic life backstage. The orchestra is a closed society that observes its own laws and traditions, and in the words of one of its musicians is, “an island, a democratic microcosm – almost without precedent in the music world - whose social structure and cohesion is not only founded on a common love for music but also informed by competition, compulsion and the pressure to perform to a high pitch of excellence... .” Never before has the Berlin Philharmonic allowed such intimate and exclusive access into its private world.
A special documentary produced for the 30th anniversary of the Seoul Olympics, 88/18 looks back at South Korea in the 1980s as the nation raced toward the Games. Through archival footage and reflection, the film examines how the 1988 Seoul Olympics brought profound changes that extended far beyond sport, reshaping Korean society itself.
Eddie and Jason, two Korean-American brothers get in over their heads when they are called to Korea to make a short film on prostitution and sex-trafficking. Things get complicated when they meet Crystal and Esther, two prostitutes who reveal just how deep the problem goes and set off on a dangerous mission to capture the truth. With the use of hidden cameras and access to pimps, johns, and sex-workers, the filmmakers explore and unravel the complexity of the sex trade in Seoul. They learn that this problem is rooted in issues far deeper than exploited girls and lustful men. Instead, it's a consequence of a culture and government that condones and turns a blind eye to the biggest human injustice of our time.
