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Hamburg, summer 1945: The young English control officer Captain Hannes Hacker arrives in the Hanseatic city to initiate the establishment of a new, liberal German radio station - in the Funkhaus on Rothenbaumchaussee. But Hacker also has private ties to Hamburg. He was born here and lived here until he had to leave his hometown on a Jewish Kindertransport.
A paean to alcohol as a means of survival to this world, and to the ephemeral communities created by our need not to be alone. On Christmas Eve, between six in the evening and four at night, Klaus Wildenhahn films people who are excluded from this "must be" celebration, and land up in a bar in St. Pauli, Hamburg: truck drivers and prostitutes, regular or casual customers, a coach and an amateur boxer... all desperately in search of happiness, tenderness and sex.
On December 23, 2013, former Federal Chancellor Helmut Schmidt will be 95 years old. As the second Social Democratic head of government in the Federal Republic of Germany, he shaped the country like few other chancellors. Even 30 years after the end of his time in government, he is still a highly esteemed expert whose advice and opinions are in demand. He is one of the most popular chancellors among the population and is held in the highest esteem by his party; even his political opponents at the time pay him the greatest respect.
Two men, the hint of a sofa corner and a pile of letters. Using minimalist means, the film tells the story of two brothers caught between exile in a foreign country and resistance in the underground. It takes us back to the time when the revolution seized power in Iran and tells of life between the fronts. Daniel Asadi Faezi sketches the story of his father and his brothers - based on correspondence that has lain in the cellar for 30 years.
What was cinema in the past? What is cinema today? Hamburg filmmaker Dennis Albrecht asked himself these questions as he sifted through material he had been collecting since a project idea in 2008. Since then, he has repeatedly taken cameras into cinemas that no longer exist. He shot commercials, short films or events at the Grindel-Kino, Streit's, Rialto and Savoy and many other Hamburg movie theaters. In these personal perspectives, we see many cultural places that have disappeared.
