Narrator (voice)
Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.
“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.
American high school students from the privileged Silicon Valley travel to Manang, Nepal in this documentary about how travel and life experiences can change personal perceptions. Together with a group of Manangi high schoolers, the students expand their cultural knowledge and experience a slice of life as a citizen of the globe.
From dawn till dusk in the bohemian heart of London’s West End. This 1979 portrait of the people and places of Soho catches the neighbourhood towards the end of an era. There's some great footage inside an Italian delicatessen and of assorted street characters. It's a fascinating glimpse into this walled garden of cosmopolitan life on the cusp of the gentrification and commercial interests that have since broken its borders.
Inspired by The Seven Valleys, the film follows a solitary wayfarer who steps onto a spiritual journey of self-knowledge, guided not by destination but by transformation. Shot across the historic landscapes of Oxford, the journey unfolds as both an inner pilgrimage and a physical passage that reflects the wayfarer’s movement toward surrender, silence, and submission.
A jetliner spans the miles, sheering through clouds to open sky and scenic vistas of the provinces below. Glimpses of town and country, of people of many ethnic origins, of a resourceful and industrious nation - impressions it would take days and weeks to gather at first hand - are brought to you in this vivid 1800-kilometer panorama.
