Orpheus in the Underworld

Hercules is sent from Mount Olympus to modern-day Manhattan, where he takes up professional wrestling before getting mixed up with a gang of mobsters.

A famous poet in postwar Paris, scorned by the Left Bank youth, is in love with both his wife Eurydice and a mysterious princess. Seeking inspiration, the poet becomes obsessed and follows the princess from the world of the living to the land of the dead.

As they are leaving the church following their wedding, Count Adrian Beltrami and Countess Anna-Marie are told that the Austrians are marching on the town to quell an Italian uprising. The bride and relatives induce the count to flee to his castle, but Tangy, a silhouette cutter, brings word from the revolutionary committee asking him to return; the count goes, asking Tangy to pose as the count and protect Anna-Marie.

Johnny Minotaur is a lyrical explosion of taboos: incest, intergenerational desire, pansexuality and autoeroticism are a few of the issues Charles Henri Ford grapples with through mythopoeic, sensual imagery, recitations of his diaries and a philosophical debate featuring an impressive narration by such artists as Salvador Dali, Allen Ginsberg, Warren Sonbert and Lynne Tillman.

Captain Stanton, who because of a misunderstanding over a woman with Major Davolo, has been cited for a court martial. As a scout, he is sent to escort a wagon train which is under military escort. It turns out that this escort is his own former regiment. When he meet Davolo, there is another fight and between Stanton and Davolo in which Davolo is killed.

To win the right to marry his love, the beautiful princess Andromeda, and fulfil his destiny, half-God-half-mortal Perseus must complete various tasks including taming Pegasus, capturing Medusa's head and battling the feared Kraken.

Austrian composer Franz Léhar's opera Giuditta receives a unique interpretation by the Seefestspiele Mörbisch in this stage production, which stars Natalia Ushakova and Mehrzad Montazeri as the principal leads. The Morbisch Festival Orchestra accompanies the production, while the Chorus and Ballet of the Seefestpiele Mörbisch lend added support.

Lotfi Mansouri's spectacular last production as General Director of The San Francisco Opera with Yvonne Kenny making her debut in the title role, new dialogue specially commissioned from Pulitzer Prize-winning playwright, Wendy Wasserstein and an original ballet to set the scene ‘Chez Maxime’ bringing fresh insight into Lehár's classic operetta. This production also features another world premiere, Njegus's song, ‘Quite Parisian’.

A homoerotic exploration of the Odyssey mixing black and white, color, and old film clips.

Five young friends are hanging out in the woods and discussing their different views on love. There’s Mary who is happily in love with Toby, Toby who is sort of indifferent about Mary, Joby who has a secret crush on Toby, Caty who is single and satisfied and Freddy, the gang’s own enthusiastic nerd. Freddy tells his friends about an ancient greek myth which suggests that humanity used to consist of people who were literally stuck together with their true loves. He then suggests that they should all pray to the old god Zeus so that Mary and Toby are reunited in their true form. Caty finds this suggestion repulsive but to her horror the others consider it to be a charming idea. The ritual works… but maybe not in the way they intended.

Director helmut Dietls and Patric Susskinds illustrate a legendary story of two lovers who cant keep themselves away from death.