
Craig

Noelle

Bobby

Eden Minerva

Lynn

George

Nia

Smitty

Humble

Johnny

Muqtada

Solomon

One man's quiet suburban life takes a sickening lurch for the worse when a young couple move into the deserted house next door. From the word go it is obvious these are not the quiet professional types who *should* be living in such a nice street. As more and more unbelievable events unfold, our hero starts to question his own sanity... and those of his family.

A young boy’s life is changed forever when his mother introduces him to the magic of her origami animals, which she brings to life with a breath. As he grows up and drifts away from his heritage, the paper menagerie remains a silent testament to a mother’s love and the cultural bond he struggles to accept.

When mischievous teenaged cousins Bo and Luke Duke are arrested, both boys are paroled to the care of their Uncle Jesse in Hazzard, sentenced to a summer of hard work. It's not long before the Duke boys learn of Boss Hogg's plans to foreclose on Uncle Jesse's farm. Together, with help from their cousin Daisy, Bo and Luke vow to save the family's property and its storied history of producing the best moonshine in all of Hazzard.

Paloma is a serious and highly articulate but deeply bored 11-year-old who has decided to kill herself on her 12th birthday. Fascinated by art and philosophy, she questions and documents her life and immediate circle, drawing trenchant and often hilarious observations on the world around her. But as her appointment with death approaches, Paloma finally meets some kindred spirits in her building's grumpy janitor and an enigmatic, elegant neighbor, both of whom inspire Paloma to question her rather pessimistic outlook on life.

Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.

End of High School, Beginning of Summer. A group of friends spend most of their time together, but little do they know that each and everyone of them has set their mind on pursuing one goal, the goal of every teenager : doing it for the first time. And sometimes the line between friendship, love and desire is really thin especially when you’re 15.