I Be Done Been Was Is

A film's art director is in charge of the set, from conception to construction to furnishing. This short film walks the viewer through art directors' responsibilities and the demands on their talents. They read a script carefully and design a set to capture the time and place, the social strata, and the mood. They must be scholars of the history of architecture, furnishings, and fashion. They choose the colors on a set in anticipation of the lighting and the mood. Their work also sets styles, from Art Deco in the 20's to 30s modernism. Then it's on to the next project. Preserved by the Academy Film Archive in 2012.

A film by Hy Hirsh. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2000.

A documentary abstraction recorded at night in Los Angeles backed by the music of Stockhausen. It is a preliminary effort to organise camera and audio images through a cybernetic editing model and a digital computer. Preserved by the Academy Film Archive in 2013.

I have been many times very ill in hospitals; and I drew on all that experience while making DEUX EX.

Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.

UCLA Student Color Film. "a documentary film of marked lyrical and experimental tendency which was photographed and recorded in a L.A. supermarket. It consists of five sequences: 1) description of people 2) Comedy 3) choreographing natural movements 4) transformation fo visual reality 5) empathy". Preserved by the Academy Film Archive in 2011. Filmed at Shopper's Market, Santa Monica, CA.

One of Les Blank's industrial films, which follows a Holly Farms "broiler" chicken from factory incubation to the county fair barbecue pit. A hilarious, disturbing and surreal look at a large-scale chicken farm producing 156 million chickens a year! Film includes lots of chicken songs and music recorded live in the Blue Ridge Mountains of North Carolina. Preserved by the Academy Film Archive in 2013.

Documentary short film reporting on the activities of the American Red Cross and the useage made of contributed funds for the previous year. Preserved by the Academy Film Archive in 2012.

"Whereas SQUARE INCH FIELD was composed largely in the camera, Rimmer's next film, MIGRATION, made full use of rear-projection rephotography, stop-framing, and slow motion. The migration of the title is interpreted as the flight of a ghost bird through aeons of space/time, through the micro-macro universe, through a myriad of complex realities. A seagull is seen flying gracefully in slow motion against a grainy green sky; suddenly the frame stops, warps and burns, as though caught in the gate of the projector. Now begins an alternation of fast and slow sequences in which the bird flies through time-lapse clouds and fog and, in a stroboscopic crescendo, hurtles into the sun's corona. Successive movements of the film develop rhythmic, organic counterpoints in which cosmic transformations send jelly fish into the sky and ocean waves into the sun." - Gene Youngblood. Preserved by the Academy Film Archive in 2014.

According to the director, "Gyromorphosis strives to bring into actuality the inherent kinetic qualities seen in the construction-sculpture of Constant Nieuwenhuys of Amsterdam. To realize this aim I have put into motion, one by one, pieces of this sculpture and, with colored lighting, filmed them in various detail, overlaying the images on the film as they appear and disappear. In this way, I have hoped to produce sensations of acceleration and suspension which are suggested to me by the sculpture itself."

The Town was a short propaganda film produced by the Office of War Information in 1945. It presents an idealized vision of American life, shown in microcosm by Madison, Indiana. It was created primarily for exhibition abroad, to provide international audiences a more well-rounded view of America, and was therefore produced in more than 20 translations. Preserved by the Academy Film Archive in 2012.

Les Blank's poetic documentation of 1967's Los Angeles Easter Sunday Love-In. Preserved by the Academy Film Archive in 2002.