Disparate, Shifty Fate

The father of young maiden Wally wants to force the girl into a marriage.

James Sumner directs and animates the entire Dirty Projectors’ The Getty Address.

A film in five different sections, each containing a different soundscape by Ostrowski. Hand painted film, intense exposure, morphing textures and shapes into a seamless whole; geometrical games sabotaging themselves; and the incessant lure of the abstract paint drift. The soundscapes, of course, build up like fountains of picture, oscillating between contemplative sculptures with electronically manipulated strings and harsh noise attacks on our senses. Despite the use of sound as a central filmic element, Cyanonide stands as a proof of the enduring influence of Brakhage on american avant-film.

Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.

Sex always gets in the way of friendships between men and women. At least, that's what Harry Burns believes. So when Harry meets Sally Albright and a deep friendship blossoms between them, Harry's determined not to let his attraction to Sally destroy it. But when a night of weakness ends in a morning of panic, can the pair avoid succumbing to Harry's fears by remaining friends and admitting they just might be the perfect match for each other?

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre.

A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.

An ahistorical re-enactment of the strange and curious events that led up to the untimely demise of our nation’s sixteenth president.

“A deadpan video art reworking of 1982's highest-grossing movie, EXTRA TERRESTRIAL peels away layers of sentimental narrative goo from its source, exposing a hard core of anxiety, loneliness and dread. Shifting the focus from character to interior, Ben Russell and Rhyne Piggott mine the landscape of a beige-carpeted ranch style house for new insights into the architecture of suburban alienation.” - Anne Reecer, Cinematexas

Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.

General arrives in Baden-Baden with his stepdaughter Polina and his mother, seeking social standing and respite. Secretly, they chase casino fortunes alongside a French businessman and beauty. Alexej, Polina’s tutor, struggles with his own gambling past while falling for her. When the wealthy “Babushka” dies, the family’s financial woes vanish, freeing Alexej to court Polina. Yet he loses everything in a sudden winning streak that upends loyalties and reveals the world’s true stakes: love, money, and chance.

Glen doesn't dare tell his fiancée Barbara that he is a transvestite known as Glenda; in addition, Alan is undergoing medical treatment to become a woman named Anne; both stories are told by a psychiatrist.